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ANNIE HAYDEN, formerly of the ‘90s Jersey City band SPENT , opened the show with a 30-minute set of delicately strummed and played indie-pop that I imagine isn’t too far from the sound of her old band (though I’m unfamiliar with its music, so I can’t vouch for that statement). The between song banter was funny and during one break, ALISDAIR MACLEAN from THE CLIENTELE brought her flowers to culminate the end of their almost 2-month long tour together, which was a really sweet gesture.
I’d never seen The Clientele before, but I’d heard that they were similar live to what their records sound like. It turns out that this is only somewhat true. The first thing you notice is the sparseness of their sound. They’re a 3-piece led by the aforementioned singer/guitarist/songwriter Alisdair MacLean and another thing I noticed since I was standing close to the front was the amount of effects pedals that he used. This created a mesmerizing sea of reverb that fortunately didn’t overwhelm the vocals or the rhythm section but on the plus side added to the beauty of his playing. And beautiful it was!
A revelation to me was how absolutely amazing of a guitar player Alasdair is, which is something that I don’t usually see mentioned in reviews of The Clientele’s albums or live shows. Instead of strumming rhythmic chords, he picks at the guitar in a manner similar to a bluegrass guitarist. I don’t know if he would appreciate the comparison, and though they sound totally different, his playing actually reminded me in some ways of LINDSEY BUCKINGHAM’s playing style. Overall, though, The Clientele’s sound is more akin to indie legends like GALAXIE 500 (the similarities are even more apparent when seeing The Clientele live, since they are a trio and because of the reverb and the hazy, droning nature of their sound), THE CHURCH, THE GO-BETWEENS and occasionally even ROBYN HITCHCOCK. In other words, it was a slow, dream-pop haze that was enrapturing and even trance-inducing. Although they stand still and don’t really put on a ‘show,’ I still recommend seeing them highly.
A couple of really funny things happened during their set. Someone requested the song “Losing Haringey” (a spoken word monologue where the band just plays an instrumental track over it), so Alisdair invited said person to come up on stage and recite the lyrics (luckily they had ready a print-out of the lyrics, perhaps with this in mind), which he did to rapturous applause. Also, their final song was an acoustic-guitar led version of TELEVISION PERSONALITIES’ “A Picture of Dorian Gray”, a song which I also saw THE FUTUREHEADS cover last year at Maxwell’s. Someone yelled out “who’s Dorian Gray?” when Alisdair introduced the song, but then someone else said “he’s a fag” after his explanation (I can only hope the heckler in question was being ironic).
I bought their tour-only CD of their early recordings (It’s Art Dad) after the gig and I got a chance to speak briefly with Alisdair and he signed my copy. Unfortunately no one seemed to have a permanent marker, so he used a pen and the ink is a bit runny, but I can’t really complain.
