Max Chaos takes us on a wild adventure with the music and video for “Ride The Wave” that slices back and forth between his surreal reality and his animated alter ego, who dives into his passion for metal music, muscle cars and surfing above the crowd to escape from the reality of everyday hassles that we can all relate to in our daily struggles and even more so in the current world disorder.

Based in Buffalo, Dotsun Moon is the creative wellspring from which Richard Flierl’s musical visions flow, transforming his artistic inspirations into tangible form. Seeing several incarnations since releasing their debut album 4 A.M. in 2011, the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.

Lucas Pasley is an old-time fiddler/banjoist and singer-songwriter from Sparta, NC, in the heart of the southern Appalachian mountains. Rooted in traditional Appalachian and Country music, Lucas often pulls lyrics from his family’s writing in addition to his own and there’s an emphasis on instrumental solos and harmony singing throughout his music. His first album, Souls Living On, is a collection of four generations of songwriting in his family and a new album is scheduled for release in 2022.

KB-S, hailing from Minneapolis, United States, is the sole contributor behind the mesmerising original single, “The Heart’s Knot.” With a unique blend of Lo-Fi, downtempo, hip-hop, and indie rock, KB-S creates a cinematic and emotionally raw sound that resonates deeply with listeners. This release marks a significant moment in KB-S’s musical journey, showcasing emotional honesty and a distinct approach that sets the artist apart in the music industry.

For her eighth record, Younger swings, plays the blues, and takes full advantage of the harp’s distinctive sound – dreamy, romantic, mysterious, even cosmic.

Out on June 25th, “Good Dreams” is a memorable track from Virginia-based duo Higher Selves Playdate, coming via their upcoming album The New Apocalyptic, out on July 30th. Synths and fuzzy, melodic guitars intertwine with hooky vocals throughout.

Sirenglas returns with “Forest Mother”, a darkwave synthpop track that weaves a haunting narrative around an ancient nature deity, embodying both nurturing and fearsome aspects of the wilderness. Its atmospheric soundscape and lyrical imagery evoke a mystical journey through shadowy landscapes, where the Forest Mother stands beneath a pale moon, calling forth the spirits of the land.

Flora Lin is a singer-songwriter based in Belgium, often collaborating with other artists. She draws influences from Shoegaze to Post-Rock. ”Lion, Pt. 2” is a collaboration with Recreational Noise, a raw anthem about the willingness to lose ourselves to protect the ones we love. It speaks of hiding scars and past pain to keep others safe, even going as far as sacrificing our sense of self to let them shine. ”When I give you my love, I want it to become your strongest weapon.”

From gold records to Grammys, Anthony has worked with many prominent people in the industry. In the past few years, he has stepped out from behind the recording desk and taken center stage. He has proven himself as both a talented songwriter and a compelling performer. This new single encapsulates everything about Anthony – his studio prowess, his guitar abilities, his songwriting, and his vocal capabilities.

Recorded in their parents’ home in Austin, “Teenage Scum” is a powerful track that serves as a preview of Art Pop’s upcoming LP, “his Is Art Pop. Reflecting on themes of loneliness, longing, and frustration with the world, the album was a labor of love for Max and Miles, who poured their hearts and souls into the project. Despite Miles’ departure for college, the brothers overcame the distance by collaborating virtually, showcasing their unwavering dedication to their craft and unique sound.

While Kevin Driscoll’s musical influences span a wide range—including legends like Bruce Cockburn, Joni Mitchell, Nick Cave, and *Weather Report*—his unique voice and heartfelt lyrics make this release truly his own. “Black It Out” resonates with listeners, offering a haunting yet cathartic reflection on heartbreak and resilience.

Blending anthemic alternative pop-rock with a lifetime of lived experience, Natzel —the project of UK artist Wayne Natzel —arrives with a bold and deeply personal debut album, Bring It On. Led by the fiery single “Let It Go,” the record showcases a sound influenced by Arctic Monkeys, The Gorillaz, Foals, and even a touch of Michael Jackson, infused with the energy of a stadium performance and the introspection of a survivor.

Iconic indie-rock veterans The Feelies return with more superb covers, recorded here and there over the years. Tightly remade with their jangle-pop expertise, these versions crackle with life.

After releasing their debut EP “Grotesque Radio” (2021), a full length album “Legend of the Bleeding Heart” (2023) Golem Dance Cult will release their new album “Shamanic Faultines” Friday the 13th of June 2025 on vinyl (black and limited edition of Splatter), cd and digitally.

Formed in February 2022, Guild Theory is a captivating British alternative rock band duo hailing from England. Comprised of Matt Smith on vocals, lyrics, and synths, and Rob Lewis on music and multi-instrumentation, the duo began their musical journey after connecting on a music forum. Their unique blend of alternative and progressive rock has been evolving ever since, culminating in their latest original single, “Vampiric Desires,” which is set to release on June 17, 2025, offering listeners a fresh and modern sound that effortlessly combines elements of early 2000s rock with a contemporary twist.

Darling Black is the solo project of Dylan Hundley from Lulu Lewis. A one-woman synth-based arrangement influenced by trip-hop, electroclash & minimal wave.

“Never Where I Am” sets the emotional tone for A Soulful Tapestry of Americana, a record rooted in themes of love, loss, and rediscovery. Blending elements of folk, rock, and country, the album showcases St. John’s lyrical artistry and the emotional sincerity that has earned him a loyal and growing fan base.

Renowned sophistipop artist Le Concorde, the musical alias of Los Angeles based singer-songwriter Stephen Becker, returns with an exhilarating new single, “Saint James,” set for release on June 20. The track is the second single from the upcoming full-length album Second Mansions, following the warmly received “Corpus Christi” (whose video just got selected for the Golden Door International Film Fest), released in February.

BDL gets the details right. Big choruses, subtle songwriting, indie pop in places with a dose of 70’s rock. Based in Milwaukee, WI, Bicentennial Drug Lord was formed by longtime friends John Daniels (Soda, Maki), Rick Donner (Punchdrunk) and Alan Weatherhead (Soda, Maki, Sparklehorse, Hotel Lights)

This EP, “Circle of Light,” is comprised of three recently-released singles, (“Don’t Look Back, “Eclipse,” and “Dream Hangover”) plus two new tracks: the titular single, “Circle of Light,” as well as a spooky, loopy intro instrumental track, “Blood Moon.” Mystical and occult-tinged post-punk and darkwave, where past lives and loves are transmuted, and reborn into a new vessel, one which is guided by unseen forces, intuition, a liminal space that exists between life and death, darkness and light.

For over 4 decades, Fishbone has been a band that has been influential, game changers, replicated but never duplicated. Starting in High School, these 6 young men kicked off playing talent shows and parties as Megatron. When getting out to the live gig life and getting taken under the wing of The Bus Boys, the band was encouraged to take the name Fishbone…and that was that. Now back with their first full length album in twenty years.

This EP is a suite of a half dozen songs recorded with two time Grammy winning producer/arranger Nahuel Bronzini (Mixing Engineer, Fantastic Negrito) and his musical counterpart Felipe Ubeda (aka Cigarbox Man).

Musically, Sunrise pulls from a wide spectrum of influences. Vennis and the band weave together elements of the Manic Street Preachers and Gang of Four, mixing in flavours of REM and The Clash. The EP also nods to old-school blues and soul, all of which is seasoned with a rebellious punk rock attitude. The result is a genre-defying sound that merges different musical traditions into one seamless, politically charged cocktail.

Riffin’ Griffin songs are inspired by catchy, power-pop bands like Weezer and riff-heavy bands like Muse, with the fun, silly, educational lyrical content of Sesame Street. Like a good animated film, Riffin’ Griffin strives to create something that kids and adults can enjoy together. By the end of each show, kids can’t help but sing, yell, clap and dance along!

As GoGo Penguin embarks on its seventh studio voyage with Necessary Fictions, the Manchester trio adds some subtle changes to its jazz/classical/electronic goulash.

Matmos’s latest record makes sense of the twosome’s lifespan in the form of an auditory travelogue, presented by the myriad metallic bric-a-brac they’ve amassed along the way.

What do you get when you combine acoustic-driven, folk-inspired melodies with gritty electric guitar riffs and undeniable, hook-filled choruses? That’s the signature sound of J. Michael & The Heavy Burden. Hailing from the Ann Arbor/Detroit area, JMHB has carved out a distinct identity in the Alt-Americana and roots rock scene, known for delivering high-energy live shows fueled by infectious grooves and genre-blurring arrangements

Teaming up for the first time with rock legend Thommy Price, best known for his work with Joan Jett and Billy Idol, Trashy Annie delivers a track that grabs you by the collar and drags you into the kind of night your mama warned you about. Inspired by dirty biker bars, seedy motels, casual hookups, and the brutal honesty of life on the road, “Some Strange” is a whiskey-soaked, guitar-driven anthem that harkens back to the era when rock and roll was unfiltered and a little dangerous.

Recorded with 18 microphones in a single uninterrupted take, “It’s All Blue” is a meditation on perseverance, presence, and the quiet beauty that exists just beyond life’s storms. The track is raw, vulnerable, and intentionally untouched—offering listeners the pure sound of a musician in one of the most acoustically advanced spaces in the world.

Having garnered some of the most excited reviews of his career with last year’s trio record New Concepts in Piano Jazz, maverick pianist *Matthew Shipp*pivots to his other most well-known concept: an improvised solo record.

Based in Bronx, NYC, Bob Gaulke writes, produces, and collaborates with some very skilled friends. He likes to release short albums frequently, playing with a wide cast of characters in a variety of configurations. He collaborates most often with Brazilians, Dutch, and Kiwis, while maintaining a love for French chanson.

Lovina Falls is something different. Difficult to classify and crossing multiple genres, Lovina Falls ‘Light and Low’ is art pop meets post punk meets alt pop meets dark dream pop. The song features harpsichord, loud bass, and booming drums alongside quirky synths and layers of female vocals

“Does Any of This Really Matter” explores the universal meaning of life as it moves through the decades of an individual’s existence. Empowerment is at the heart of this album, but this song lets you explore the questions without demanding answers. We layered this track with shimmering sitar, Mellotron, and swirling reverse guitars.

Saxophonist Ivo Perelman, pianist Matthew Shipp, bassist William Parker, and violist Mat Maneri have worked together in many different projects for three decades (four, in the case of Shipp and Perelman) – all of it challenging to various degrees.

When Adam Tilzer declares, “I guess I’ve started a cult, I swear it’s the good kind,” on his forthcoming album, he pays homage to the talented musicians he’s surrounded by and the community they have created. After spending the past two+ decades as a producer and singer/guitarist, touring up and down the East Coast and opening for Less Than Jake, George Clinton and the Parliament Funkadelic, and Big D and the Kids’ Table, among others, Tilzer’s first solo album, Cult Leader, marks the first project built solely on what feels necessary for him to say in this moment, with a release that coincides with his 40th birthday.

The Zangwills is Jake Vickers, Ed Dowling, Sam Davies & Adam Spence from Cheshire, Northwest UK. Each bring very different influences to the band & this, along with Jake’s unique voice, is reflected in their distinctive sound which is instantly recognisable. Described as being ‘Like nothing else out there, an immensely valuable quality when so many bands disappear into a slurry of sameness’ by Getintothis. A charismatic band with a reputation for their strong live sets.

Recorded in Sarasota, Florida, Matare’s latest single features a unique blend of live and electronic drums, creating a faster and darker sound compared to his previous works. Collaborating with mixer and mastering engineer Gabe Wolf, Matare’s music shines with authenticity and innovation. As he navigates through different genres and artistic boundaries, Matare’s music stands out as a bold statement against the status quo, drawing parallels to iconic bands like The Cure and King Gizzard and the Lizard Wizard.

Electronic Pop for the broken-hearted.

Boston blues-rock group Sons of Levin and their latest funkadelic rock track “Ecclesiastes.” The infectiously groovy song, out June 10th, tackles society’s injustices, utilizing music and unity to overcome them. “Ecclessiastes” encompasses a Stevie Wonder funk, many Vulfpeck-style breakdowns, a rock-n-roll tonal landscape, and open lyricism, presenting an impressive punch against the trials and tribulations we all face.

Post Death Soundtrack’s 5th full-length album IN ALL MY NIGHTMARES I AM ALONE is the sonic equivalent to an urgent magazine clipping threat tied to a rock and thrown through a window. Having grown up loving albums like Nirvana’s ‘Incesticide’ and Jeff Buckley’s ill-fated Sketches for My Sweetheart the Drunk, Stephen Moore has always had a love for rawness and truth in music – the rest is secondary. He merely asks himself ‘Is it good?’ Although this album has both brutish output, frightening, upsetting content and sublimely beautiful pieces, the themes are difficult to unpack

Push Puppets create songs with earworm melodies and shiny production that belie the often bittersweet sentiments in the songwriting. On their fourth album – “Tethered Together” – Erich muses on relationships and loss as well as the weight and joy of life in a manner effortlessly poetic and married to the track like puzzle pieces. With Specht on lead vocals and guitar, Push Puppets is rounded out by Steve Frisbie (backup vocals and guitar), Kyle Magnusson (keyboards), John William Lauler (bass) and Greg Essig (drums). “Tethered Together” features a string quartet on most songs and a horn section on one.

On this, their second proper album for Tapate Records, Comet Gain unleash a glorious, often anthemic and highly literate, indie-pop outpouring of empathy for those living on the fringes of society. It harkens back to ’60s guitar-pop and British R&B rave-ups, with stopovers in the ’80s and ’90s, whisked away on big dreams and even bigger hooks.

Rosetta West is a blues rock band from Illinois. Their music frequently includes elements of psychedelia and world folk music, and their lyrical themes often venture into mysticism and spirituality. Formed in the 1990’s, Rosetta West has maintained a long, unconventional and fiercely independent underground career. They have many loyal fans around the world, and their non-Spotify releases are well worth seeking out.

Birmingham’s Black Rose Moves has quickly risen in the new wave of Gothic Rock and Darkwave. Formed by Grant Leon and Mark Neat, their sound is a masterful blend of haunting melodies and driving rhythms. Their music is more than just songs, it’s a mesmerising escape into the heart of the night. This is just the beginning of their beautifully dark journey.

“Love Is Adamant” marks a bold new chapter for Miller Tracy, whose journey to songwriting began in an unexpected place. Born and raised in Mountain Brook, Alabama, Tracy spent his youth as a competitive swimmer, training from age 8 to 18 with Olympic dreams in mind. After stepping away from the sport just before college, he found himself in a personal void — one that was unexpectedly filled by blues music.

Love Conquers All (25 Mix) is a comprehensive re-recording/remix of KaiserKillers’ earlier track, successful in its own right. New guitars and energetic new drum track by Stix McIntosh and mixing and mastering at London Mastering Studio lift the song to new heights.

Singer-songwriter and multi-genre musician Aaron Koenig is set to release his latest project, Live Now! More than just an album, Live Now! combines Koenig’s uplifting, spiritually charged songs with a beautifully designed 60-page book featuring lyrics, chords, background stories, and cover art for each of the album’s twelve genre-spanning tracks

Fernando Honorato, the acclaimed singer and songwriter of Swedish post-punk band Principe Valiente, will release his debut solo album “Center of Your World” on June 13th. Released under the new moniker Fernando’s Eyes, the album will be available digitally as well as on CD and vinyl via Aenaos Records (Germany) and Icy Cold Records (France).

Drawing influence from bands such as Basement, Title Fight and Balance and Composure with this latest effort, PALEJOY proves that sometimes, the most honest art comes from embracing the chaos of not knowing where you’re going—but singing your heart out anyway. Produced, mixed and mastered by Mark Morrow, “Next Goal Wins” is set for release across all major streaming platforms on 13th June.