Forgotten Garden is a Scottish-Portuguese Indie band (duo+guests). Their songs are generally sad, poignant and haunting.

Fire in the Master’s House is a strange brew, unlabelable, unpigeonholeable, unsecond-guessable, and Sheykh Forever is one of the strangest, most brilliant and rewarding talents working under the radar today.

Catie Turner is a 26-year-old singer-songwriter, folk-pop powerhouse vocalist, chronic over-sharer, and stamp collector (not the mail kind, the ink kind.)

HISTORY has made a name for themselves by taking classic Swedish songs and reworking them in their own inimitable rock and roll style. I sat down with the band to find out how things started, their current single and what the future holds for them.

Todd Snider was a hippy provocateur, lackadaisical stoner, and clever AF songwriter that sort of epitomized, at least my idea of “quick with a joke or to light up your smoke” but there was never anyplace that he really needed to be. That’s part of why he didn’t carry a cellphone. This is his last recording.

There’s an appropriate lack of polish at the heart of Diver Through’s new EP, “I Want To Be Disrupted.” Recorded live at Vinegar Hill Sound in Brooklyn over two days in May 2026, the five-song collection was built around a simple idea: disrupt the process

Born and raised in Vermont’s Northeast Kingdom, music has been a part of August’s life since the beginning.

Olympia shoegazers Waves Crashing announce a new single ahead of their first-ever UK tour this November.

Two North Carolina bands – one killer collaboration. Charlotte’s It’s Snakes and Raleigh’s Goddamn Wolves have teamed up to release “Viva El Monstro” b/w “Others.

Eau the Music, the Toronto-born, Montréal raised and now Ottawa-based indie rock and dream pop artist, arrives with her debut album ‘Light in the Dark.’

Berlin-based band Beranger continue to carve out a distinctive space within contemporary rock with ‘Signal’, a dynamic new single that brings together classical piano, alt-rock, indie rock and pop-punk intensity.

Made over a time of intense introspection and transformation and inspired by Celtic folk music, Hoff uses the bass as an expression of emotion, rather than an instrument with which to show off her skills.

Jonivan Jones is a performing songwriter from Arkansas with some roots in South Texas whose music blends folk, Delta blues, early Western sounds, and a touch of psychedelia

St. Divine is a critically acclaimed NYC based punk/Americana five piece band fronted by Will Croxton and Judy Ann Nock.

TALK IN CODE is a euphoric original indie pop powerhouse delivering retro-inspired, synth-driven festival anthems, high-octane live shows, and next-level fan engagement.

Molly Warburton releases her new EP, Eyes Wide Open, a high-energy alt-pop singer-songwriter with a Northern edge and hard-hitting vocals

Thousand Pieces is the solo project of Jamie Smith, a singer-songwriter from just north of London, writing gritty, melodic indie rock about real life and the people who shape it.

Grey & Purple Songbook, hailing from Oslo, Norway, is a musical project under the label Grey & Purple Inc., known for producing harmonious and thought-provoking text-based music stories across various genres.

French Inhaler is a Chicago-based trio drawing on the restrained intensity of Joy Division, the melodic melancholy of The Cure, and the electronic minimalism of Kraftwerk,

Spinors is a steampunk aesthetic Alternative Rock band based in London, United Kingdom, founded by singer and guitarist Sergie Code.

For his latest album Corners, trumpeter Enrico Rava combines two of his recent partnerships: with his ongoing semi-regular collaboration with saxophonist Joe Lovano, and with his latest band Fearless Five.

Rebecca Aadland is a Minneapolis singer-songwriter, bridging styles of folk, rock and blues. She has recently sold out large venues in the Twin Cities with her 8-piece Band.

Formed in 2025, MUTE TV are a raw blend of post-punk, noise pop, shoegaze and alternative rock from the South West, creating noisy love songs about joy, despair and desperation.

Franc Cinelli is a London based singer songwriter, composer and producer originally from Rome. His music draws on folk, blues and acoustic songwriting, alongside ambient and contemporary classical influences.

Across “House of 70’s” and “Bye Bye Johnny Viola,” Chris Connelly moves through two charged moments in Lou Reed’s history, first inhabiting the grease and nervous glamour of 1970s New York, then tracing the colder aftermath of John Cale’s departure from The Velvet Underground.

Twelve-inch, forty-five rpm extended play records aren’t dead! And Hunter Watts should know, cuz he has produced one doozy of an example of one.

Deadlight Dance are a Wiltshire, UK-based ’80s alternative/goth duo comprised of Nick Fletcher and Tim Emery.

Inspired by a shared passion for the sights, sounds, and creative experimentation of the mid-to-late 1960s, The Crystal Teardrop brings you a unique blend of garage rock, psychedelia, and acid folk.

“Forever Remember” feels like the song Oasis forgot to release. A guitar-led indie rock anthem with Britpop swagger, atmospheric synths, warm acoustic textures and a huge, uplifting chorus built for the open road.

DEATĦ B¥ LØVE turn “In Unity” into a dark industrial tribute shaped by Wieloryb’s final work, with Inga Habiba’s voice cutting through distortion, repetition, and mechanical weight.

Soft Science keep “Fade” gentle and guitar heavy, pairing shimmering guitars with Katie Haley’s soft vocal to turn a song about fading memory into something warm, intimate, and quietly propulsive.

Nowhere Flower’s homemade music becomes a quiet form of resistance, a reminder that even in huge destruction, one person can still arrange fragments into something like hope.

The Room let “Temptation Harbour” unfold slowly, with smooth, repeated vocals moving through a story while Darren Brown’s guitar supplies the song’s clearest sense of beauty and movement.

Bishop has made an acoustic-guitar record that sits somewhere between folklore and hallucination. The eight pieces don’t rebuild a vanished America. They invent one, out of the leftovers of family history and the stubborn mystery of place.

Tiny Magnetic Pets move from airy trance and bright synth textures into two increasingly physical “Low Places” remixes, giving Astralux the rush and colour of classic electronic club music without losing the band’s melodic core.

Prolapse understood that live music is at its best when control and risk share the stage, and these recordings make that the whole point. ‘Mary Anne Hobbs sessions 17.12.97-24.03.98’ is a vivid portrait of a remarkable band that wouldn’t let its own identity harden into a cage.

SICKY turns repetition into character on “Bubblegum Party,” stacking bright hooks over a low guitar pulse while a playful revenge story gives its sweetness a sharper edge.

Then Comes Silence give “Judgement Day” a loose, wiry pulse, pairing sharp post punk hooks with a theatrical gothic video and a strangely celebratory approach to consequence.

Caulbearers’ “Brothers At The Wheel” begins in a deep, easy groove before violin, guitar, and Ruth Blake’s soaring vocal pull the track into something larger and more defiant.

This LP reissue of Lewis’ classic album from 2000 sounds every bit as good (and as modern/relevant) as one would hope!

Bandleader Stephan Thelen blends the two main strains of his work here, adding the classical sweep from his string quartet compositions to the drive of his rock songs so the movements gain a symphonic grandeur.

The band treats their influences as raw material, shaped by their vocal interplay and by letting the group’s playing decide how the songs are arranged. Chaos here isn’t something that throws the record off balance. It’s what the songs grow out of, with melody, rhythm and voice constantly trading places inside the same frame.

What makes ‘The Weight’ stick is that it doesn’t treat sadness as a style choice. The heaviness here comes from somewhere human. Under the guitars and pounding drums is the knowledge that some burdens become part of you even after you’ve learned their names.

‘Right Here, Right Now’ is about being present without being sure of anything. Winyah get that being fully alive in the moment is thrilling and disorienting at the same time, and their best songs don’t try to separate the two.

Trabants aren’t trying to prove psychedelia is still relevant. They’re having too much fun bending it into new shapes. ‘Mirage’ is colorful, playful, strange and now and then beautiful, with enough personality to make nostalgia beside the point.

Only Human is Tallulah Rendall’s seventh album: an intimate, cinematic exploration of mental health, fear, shame, belonging and resilience.

DownTown Mystic is the alter ego of American Rocker, Robert Allen, whose passion for “old school” recording borders on obsession.

Lowsunday’s “Call Silence” is pulled in two distinct directions, with Psychotribe turning its tension into dark electronic motion while Sam Rosenthal strips it back to something colder, quieter, and more exposed.

Laurent Moitrot’s “The High Life” pairs gritty blues rock swagger with an unexpectedly poignant portrait of communal life, loneliness, humour, and the possibility of starting again.

The album is about getting through, and about finding you can mourn one thing and celebrate another on the same afternoon. Breakup albums tend to curdle into self-pity and new-love albums into syrup. This one keeps both feelings going at once, which is harder than it sounds.