The new single from Awake & Dreaming, “Underwater” comes via their upcoming full-length debut Inevitable.
Milo Jones is an NYC-based American singer-songwriter whose off-kilter style will endear and engage fans of folk, the 70s, and (lyric-wise) Zappa heads everywhere.
Four years after their critically acclaimed EP, “The Summer Tree”, St. Paul’s JoJo Green returns with Paint the Sky – Part 1, a unique and diverse five-song collection that finds the band stretching its iconic eclectic sound
Poems For Dead People / Intertitle is a collaborative project that inhabits the space between dark electronic music, spoken word, and cinematic storytelling
Costa Rican alternative rock project Proyecto Escapulario have released their new single and video, ‘Cuasrán’, inspired by the Indigenous Boruca people, their strong territorial and cultural continuity, and their ancestral connection with the natural world.
From busking on the streets of Camden to selling out shows around the world, Cam Cole has built his career by following his own path
Twenty-plus years into her extraordinary career, pianist Kris Davis continues to grow.
EverWill is the solo rock project of Nebraska-born artist Will Griffey, a multi-instrumentalist and songwriter turning personal experiences into powerful, high-energy anthems.
Put simply, MonstroCity is an album that wanted to be made, and Shansylvania is the band that was destined to make it.
Songwriter Scott Allen draws inspiration from personal history and life lessons. He uses both memories and significant experiences to shape the storylines, often focusing on moments shared with others.
UK music sorcerer Fran Ashcroft has shaped pop history from both sides of the glass—from his own band The Monos! to producing Damon Albarn and working at Abbey Road.
The Graceland Conspiracy is the new dream-pop project created by Colin Crooks, previously a member of PBR Streetgang, who released several singles through the legendary Northern Irish label Good Vibrations.
Throughout the album, the pianist shifts between easy control and almost total abandon.
Fools Arcade is an alternative indie band known for their eclectic sound, driving rhythms, and rich harmonies, hailing from Leeds, UK.
Cable Street Riot is an anonymous solo project from Los Angeles blending post-punk, dark electronics, industrial textures and atmosphere
Raised On Candy let “Pickle Eyes” reveal itself gradually, moving from wiry tension into layered guitars, exposed vocals, explosive drums, and a final surge that makes its opening feel deceptively small.
Grant’s passion is bringing American history (including our native peoples) and culture to life with his music. So far, his AMERICAN STORIES album series has captured the essence of the Dust Bowl, Appalachia, and the Mississippi River.
Francesco Virgilio’s multidisciplinary electronic project explores existence, wonder, adolescence and loss across four interconnected tracks and accompanying films.
Energy Whores, the genre-defying electronic project led by New York songwriter, vocalist and producer Carrie Schoenfeld, release Invisible (Four Ways)
Rising artist Ava Renn returns with her latest single, ‘Sellout’s Prelude’, an ethereal and emotionally immersive release that explores the fragile space between self-destruction and self-preservation.
London-based independent alt-pop artist Zoë Zohar combines live, raw instrumentation with electronic experimentation and a subversive undertone.
Where rhythmic experimentation meets a love for grand, cinematic melody, this three-piece collective mix a technical art-rock precision soulful rawness.
A Sirens call across brooding oceans, ‘Take Me To The Sea’ exists in the haze where the sky meets the sea; an ethereal, whispered longing.
Harley DiNardo’s music lives somewhere between the heartland honesty of The Black Crowes, the swagger of The Rolling Stones, the melodic sensibility of Britpop.
Sean MacLeod is an Irish singer-songwriter, composer, producer and author whose music combines melodic indie pop, alternative rock, folk, psychedelia and experimental influences with thoughtful, philosophical songwriting.
Hailing from High Wycombe, Broken Colours are a four-piece indie outfit who draw on the funked-up, rocky sensibilities to delivery truly electrifying performances.
‘Feasting 2026 (HK Mix)’ releases today as a bold reinvention of ‘Feasting on my friends’, the B-side from The Sway’s very first single.
Luke Haines and Mike Smalle pull an 1887 Irish American song into a tense electronic present on “The Black Maria, O,” where antique criminal slang, synthetic pulse, and gathering metallic chaos make history feel strangely immediate.
Eddie Skuller’s “House Where Nobody Lives” reframes Tom Waits’ abandoned-house ballad through tender melody, live-tape intimacy, and a quietly bruised sense of what love leaves behind.
Formed in Phoenix, Arizona, in 2024, SUNTWIST is an indie rock band that pairs energetic songwriting with catchy melodies and a sound that feels both nostalgic and refreshingly modern.
“Run” is the third single from Tallulah’s seventh album, Only Human.
Alternative dream rock four-piece Leem of Earth is entering a new creative chapter in 2026 with ‘SEE’, an ambitious concept album inspired by George MacDonald’s Victorian-era fairy tale The Princess and Curdie.
New York rock outfit Hazel Gaze bring a distinctly live-driven energy to their latest project, Strung Out: Live & Unplugged at the Brooklyn Conservatory, a recorded and visual performance that revisits the spirit of the classic unplugged sessions of the 1990s and 2000s.
If you’re in the market for a mainstream jazz pianist, Benny Green has a hell of a CV.
I Plead Irony are three long-time friends making alternative rock with punk and blues fringes, pairing dark themes, dry humour and a persistent fascination with contradiction.
Melodic, emotionally raw indie singer-songwriter Brendan Ranney returns after 19 years with Slightly Out of Focus.
Jess Yaffa is a New York City-based alternative-pop artist entering a new chapter in her music, one built entirely on her own terms.
The single carries that worn Americana space beautifully. It brushes against country without dressing itself in full country costume, western in its dust and plainness, but still tied to the folk-rock instinct that has shaped Lapides’ songwriting for decades.
Chris Connelly’s “Nothin’ But A Rock Song” turns Lou Reed’s 1974 voltage into a collage of sneer, glamour, cigarette smoke, media memory, and rock attitude, where surface carries its own kind of intelligence.
Beauty In Chaos and Ashton Nyte return to one another on “Home,” a restrained, intimate single that finds its force in space, recognition, and the quiet certainty of belonging.
Robin Ross and Carmine Gontz turn “Blood Lines” into a heavy, full hearted rock song about family as something inherited, carried, survived, and passed forward.
Longing, emotional distance and unresolved desire lie at the heart of ‘I Could Love You’, the new single and video from Charlotte, North Carolina indie-electronic / synthpop project Midniter.
Lowsunday’s Low Sunday Ghost Machine – Black EP turns their long return into something beautifully exact, carrying shimmer, distortion, loneliness, and melody through songs that make old ache feel newly legible.
Liverpool post-punk veterans The Room pull “Things Have Learnt to Walk That Ought to Crawl” back into motion, turning an early cult track into a sharp, jangling blast of doom-pop momentum.
Ecce Shnak’s “Anna O” pushes psychological captivity into a heightened art rock escape scene, with grunge weight, jagged vocals, and a video that brings the song’s inner conflict into view.
Swaggering in with an indie-rock kind of style and a silver-screen sensibility, ‘RUBBERNECK’ is the amalgam of Robyn Maddox’s acerbic wit, gymnastic vocals and a talent for writing a delicious hook.
GU-RU is the musical project of Leicester-based artist Gurulee, whose adventurous approach to composition channels the golden era of 70s prog and jazz fusion through a distinctly contemporary lens.
Los Angeles-based alternative indie rock duo CA in LA has released their highly anticipated Hindsight (Deluxe Edition), an expanded reissue of their debut album, featuring two new singles released earlier this summer.
‘Shaving A Dead Man’ stands as a persuasive reminder that tradition remains most vital when musicians treat it as ever evolving and never stagnant. JP Harris seems not interested in modernizing these songs for the sake of reputation, nor does he lapse into imitation. He embodies them through performance.
All these songs work together to let out a feeling. The music feels big and airy. The music never feels lost or empty. The music stays smart without losing any of the heart, leaving an impression of having witnessed something that cannot quite be described directly.
