Something is always being offered, even if only for a moment. Something is always being lost. And in the quiet persistence of breath through pipe and bow, ‘given’ suggests that this cycle of offering, losing, and receiving again may be reason enough.

Silver Summer formed in the Summer 2019, played three successful shows in their hometown of Mankato, Minnesota, and then, like every other musical act in the world, went on hiatus at the start of the COVID-19 lockdown. By summer 2021, Silver Summer had rebooted and were performing again in Mankato. Since then, frontman Colin Scharf has received three Minnesota State Arts Board grants and two Prairie Lakes Regional Arts Council grants to fund the production of the band’s debut album, DIE OF LOVE.

Golem Dance Cult, hailing from Belgrave, Australia, is the visionary force behind the mesmerizing Original Video, “Pretty at Dawn.” Their unique sound features Inga Liljestrom on vocals and Jean-Philippe Feiss on cello, creating an ethereal and haunting musical experience. With influences ranging from KILLING JOKE to BECK and BAUHAUS, Golem Dance Cult blends dark tones with captivating vocals to create a sonic landscape like no other.

When you’ve been a band as long as Effusion 35 has (nearly 27 years!), you tend to do things a little differently now than you did then. In this span, the band evolved from a 3-piece, to a 5-piece. What was once a single guitar sound is now a 3-guitar assault. As you can imagine, there’s more stuff going on now.

Bear Jr is an independent alternative rock artist based in the greater Philadelphia area, known for deep expertise in fingerstyle acoustic guitar blended with modern alt-hard rock production. His sound balances emotional restraint and grit, moving between quiet tension and heavier, textured dynamics.

Oruã has managed to capture the heat of a Rio dawn and the cool mist of a Seattle winter in a single, continuous entity; a song cycle that proves the best art isn’t found in polish, but in the honest, chaotic vibration of the human experience. Easily one of 2025’s finest.

Earth Tongue has created a record that is articulate in its heaviness and intelligent in its construction, eschewing the clichés of stoner rock for something far more idiosyncratic and compelling.

This expansive work functions as a dialogue between the synthetic and the organic, exploring what it means to possess a soul in an increasingly automated age.

It functions as a sonic exorcism where Le Bon abandons the architectural precision of her previous era for something more fluid and dangerously visceral.

Recorded by Wilson Tanner Smith in the skeletal remains of the Kreenholm Textile Factory in Narva, Estonia, the album exhales the heavy air of a borderland caught between historical trauma and modern tension.

She’s definitely a bandleader, but she’s not a star, preferring to mold her troop into a tightly bound juggernaut of collective improvisation.

‘Never Turns To Night’ is an articulate testament to the power of the solo voice, proving that Brenden Ramirez is a craftsman of the highest order, capable of finding the extraordinary within the mundane.

Midniter is the indie electronic project from queer, Charlotte-based singer-songwriter, Nic Pugh. At 36, Pugh has been a traveling musician for almost 20 years, playing in mostly punk and rock’n’roll bands, with highlights including Paint Fumes and Jaggermouth. Creating Midniter in January 2024, the project formed as an antithesis to his previous guitar bands. Although influences (including Radiohead, Justice, The Knife, LCD Soundsystem, Aphex Twin, Square Pusher, and M83) stem from many genres, Midniter was parented by the bands of the Indie sleaze era.

Based on the rugged island of Anglesey, Wales and fronted by brooding and emotive vocalist Nathan Jones, DYING HABIT hurl out potent 90’s inspired alt-rock framed by courtesy of the pulsating rhythm section of Mark Jones (drums) and Daniel Garner (bass); and the cultured riflery of guitarist *Alan Hart8.

Plans to Sand, hailing from Philadelphia, United States8, is making waves with their latest release. Following the success of their original works, including the acclaimed album “So What,” the band decided to delve into the realm of covers. Their rendition of “The District Sleeps Alone Tonight” by the *Postal Service was born out of co-leader Adrienne Swiatocha’s deep admiration for the band. After receiving overwhelming praise from fans for their live performance of the cover, Plans to Sand decided to immortalize it as a studio track, showcasing their unique interpretation of the beloved song

Emerging from Mogyoród, Hungary, Vé/Zé, also known as Zoltan Varga, is a multi-talented artist who wrote, performed, and produced the original single “New Car” featuring the captivating vocals of Nóra Rádi. Drawing inspiration from legendary 90’s AOR performers like Peter Gabriel, David Bowie, and Sting, Vé/Zé’s music encapsulates the refinement and honesty of that era while infusing a modern twist.

The Real Anthem, hailing from Arizona, United States, is an alternative rock band comprised of Shawn Helton on vocals and lyrics, Andy Mitchell on guitars and backing vocals, and Matt King on guitars, synths, programmed drums, and mixing engineer. Their latest original single, “Heaven Come Down,” released on January 31, 2026, captivates listeners with a blend of catchy pop elements and intense vocals, drawing influences from the likes of Peter Murphy’s production style and 90’s alternative rock.

UK artist, songwriter, and producer Heron returns with “Fell In Love Again,” the sixth single from his forthcoming album Underground Sky, released one song at a time on his independent label, Cracked Analogue. Blending alternative R&B, soul, and psychedelic pop, the track marks a defining moment in Heron’s evolving sound.

What’s always been most astonishing about bandleader John Andrew Frederick’s songs isn’t how many of them there are, but how many of them are good.

The setlists manage to combine the older material from the split LP and Flex Your Head with the newer songs from the still yet to be released Potions for Bad Dreams, the completed LP they recorded for Touch and Go in 1984 that never came out.

“Spin You Around” by Loudness Wars draws influence from iconic post-punk bands of the 80s and 90s, such as New Order, Thompson Twins, Depeche Mode, and more. The track is a departure from the band’s usual rock sound, as Jay, inspired by synth-driven classics like Depeche Mode’s “Broken Frame” and New Order’s “Blue Monday,” wanted to pay homage to the early synth music era.

Derby Hill is a singer-songwriter from Detroit. His work focuses on the grit and glitter of life, often dealing with themes of family, love, loss, and redemption. His work focuses on blue-collar neighborhoods and back porch swings, whiskey bottle wisdom, impossible resilience, and the profound ridiculous power of even a shred of uneconomic unconditional love. Derby Hill tells stories through his songs, creating moments and characters that make us feel a little less
alone in the world.

ALLEY the band is a four-piece group based on the South Coast of England. Their story began in the mostunexpected way — when guitarist Robbie Davies overheard Ali Wood (rather courageously and somewhat drunkenly) singing a Christmas song in a pub. Struck by her voice, Robbie decided then and there that if he ever started a band, Ali would be his singer. Nine months later, the idea became a reality

Good Day Father has succeeded in creating something that honors the past without being beholden to it, offering a glimpse into a partnership that is as intellectually stimulating as it is sonically rich.

Mandy, Indiana has produced a work that is profoundly original, a sonic document that captures the sound of the world grinding its teeth.

By the time the final notes decay, Rome Is Not A Town has successfully mapped a new topography of the heart, proving that their evolution is not just a change in style, but a deepening of their philosophical soul.

Throughout the EP, the duo’s musicianship is characterized by a sophisticated understanding of balance and contrast. By embracing a minimalist aesthetic without sacrificing depth, Telephonist has created a work that feels timeless yet urgently contemporary.

‘Music For Angels’ by Kouskous Heaven functions as a sprawling, sonic cartography of the human condition, navigating the thin line between grounded reality and ethereal whimsy. The New Jersey-based collective has transitioned from the local circuit to touring the East Coast, carving out a niche defined by a monochromatic, esoteric aesthetic.

Snocaps has produced a record that is far more than the sum of its parts; it is a living, breathing document of kinship and artistic evolution.

ALÓWAN proves to be a vital vessel for Tola’s ongoing exploration of the human spirit’s relationship to the landscape. It is a haunting, beautiful, and impeccably crafted single that suggests a significant new chapter is being written in the annals of atmospheric rock.

Criminal Hero emerged after a long break from music. Around 2020, while living in Detroit, Rick Harkness8 immersed himself in the city’s rock bar scene, reconnecting with music from the sidelines and absorbing the culture of working musicians. A trip to *San Diego became the turning point, with time spent alone leading to a return to writing and the early ideas that would become “You Better Believe.”

With her band The Paranoid Style’s fifth album _Known Associates, she wraps her sharp observations and wistful historical narratives in melodic tunes that stick to the ribs.

Tacoma, Washington darkwave / goth rock quartet Licorice Chamber, led by charismatic goth siren Layla Reyna, have premiered their new video-single ‘Heavy’ exclusively with Post-punk.com on Tuesday (3 February 2026), launching presales for their new Remnants EP, ahead of tour dates with The Palace of Tears. Licorice Chamber’s first new release since drummer Cory Sorrentino seized power from the drum-machine, the aptly titled ‘Heavy’ showcases the band’s well-honed and increasingly powerful live dynamic.

As is fitting for a sophomore album, Ten New Toe-Tappers for Shoplifting & Self-Mutilation picks up where Tom Minor’s debut Eleven Easy Pieces on Anger & Disappointment left off, only upping the ante, raising the bar and managing to reach an even more refined level of writing and production for what the London singer-songwriter describes as his existential indie.

Crescent is a band rejecting the short, sharp shock of modern guitar music. While the current scene favours speed, slogans and instant impact, Crescent choose patience, scale and emotional risk. Formed in College from a shared love of blues-soaked psychedelia and classic indie, they build their songs to expand. Guided by atmosphere, dynamics, and melody rather than trend. Shaped by coastal isolation, their music allows space for tension to build, fracture, and release.

London singer-songwriter Frank Joshua returns with Fertile Mind, a magnetic 10-track set that distils his signature hush-to-howl vocal presence and cinematic, synth-kissed songwriting into his most cohesive statement yet. Out via Numen Records, the album spans intimate piano-led confessionals and widescreen dream-pop, anchoring Joshua’s baritone in melodies that feel inevitable.

Robert Peterson and The Crusade have announced the release of their highly anticipated debut full-length album, Change Coming On, arriving February 6, 2026. The release coincides with the band’s latest single, “Sometime.” Change Coming On captures a year-long creative journey and will be released worldwide via DistroKid on 23 major streaming platforms. The album follows a string of singles including “Baa Baa The Black Sheep” and “Of All The World,” while also introducing previously unreleased material that broadens the band’s sonic scope.

In ‘Singin’ to an Empty Chair,’ Ratboys have created their most emotionally and musically sophisticated work to date. It is a record that asks questions without rushing toward answers, balancing melancholy with exuberance, and introspection with playfulness.

Sonic Blossoms have delivered a work that rewards the listener with a complex, multilayered experience that lingers long after the final frequency dissipates.

Mask Appeal’s debut is uncompromising and intellectually bracing; a reminder that the macabre and the dissonant remain fertile ground, not relics, when approached with conviction and craft.

This is, in some ways, Fucked Up’s way of putting their most experimental ideas out into a specialized series that tends to attract either obsessive fans or those looking for more “out” material (or both, as the Venn Diagram between the two features a strong intersection),

This, their 1985 debut album for BYO (for which Trust are the current stewards, hence their previous, aforementioned 7 Seconds and Youth Brigade reissues), is an absolutely raging slab of melodic skate punk.

Mark Vennis, the British singer-songwriter and musician, has released his new album, Goodbye to All That on vinyl and download. It is a unique and kaleidoscopic 12 track trip through the history and legacy of the British Empire and a timely look at what it means to be British. Lyrically the album traverses the landscape of this complex legacy through stories about soldiers, workers, slaves, captains, merchants and seamen

Shaky Records announces Shaky’s much anticipated sophomore album, Kinda Wild II. The first single, “In a Heartbeat”, will be released February 6th on all platforms. This single is accompanied by the b-side track Bait. An accompanying music video by Philadelphia director Joe Lee is available on the official Shaky Records Youtube page Friday, January 30th – one week before the streaming release. The video features recently found footage, circa 2011, of Shaky and his former band Cold Fronts (Sire/Warner Bros), and Shaky’s DIY Philadelphia music venue The Rathaus.

Death Valley Dream Cult (DVDC), an LA-based multi-rock duo comprised of Greta Janssen (23) and Nate Ascending (19), officially announces their
arrival with the release of their debut single, “Death of Creation.” The track marks the first chapter leading into the duo’s debut EP, slated for release in 2026, following a series of singles and visuals.

‘Permanent Fixtures’ is an essential testament to the enduring vitality of the underground, proving that the most resonant sounds are often those found on the periphery.

‘Masquerade’ is not merely a collection of songs; it is a deliberate, cohesive statement from a band that understands the power of the shadows as much as the light.

Fitzsimmons and Jones have not just made a record; they have built a sanctuary for the restless spirit. ‘Fate Euphoric’ stands as a testament to the power of creative autonomy, offering a vision of the future that is as bright as it is unpredictable.

This release is more than just new music; it is a thoughtful exploration of how the same creative impulse can burn in entirely different colors depending on the hands that stoke the flame.

“Sunlight Echoes” is a rare achievement, an immersive, intelligent record that proves the most vibrant sounds are often found in the overlap between the shadow and the sun.

Skot Kremen has managed to translate the abstract feeling of contemporary fragmentation into a coherent musical language. It is a work that does not offer easy answers or melodic comfort, choosing instead to sit with the listener in the ruins of the psyche.

It should also be stated that this remaster sounds stunning, among the finest of all of Trust’s reissues to date, and the green vinyl is pretty as well. It just jumps out of the speakers, so if you love this album, or are just curious to hear this long out-of-print minor L.A. punk classic again, this one’s a no-brainer.

As the days begin to lengthen, this one flips Jules Verne’s Twenty Thousand Leagues Under the Sea on its head by swapping Nemo’s briny deep for trippy dreams about the ether. It’s a reflection on escape in the present troubled day, asking whether true escapism always leads to freedom, or whether it collapses on itself as the air grows thinner. This track was recorded at Untapped Studios in Southampton, and releases on 30 Jan 26. It’s a taster of the band’s debut EP _Visions from the Frontier _that drops in March.

Norwegian singer-songwriter Kristian Grostad was described by local and national press as both “a pop jewel” and “an undiscovered super talent” following the release of his debut single “Apple Trees and the Sound of Bees” in 2015. The follow-up single “Too Weak / Patiently Waiting” received national radio airplay and was recommended by NRK Urørt, while also gaining international attention through platforms such as Indieshuffle.

“The Crack” is the new single from Brighton’s art‑rock collective En Heat, released via cult London label Blang Records on 27th January 2026. Building on the momentum of previous singles “Genius is Mysterious” and “AntiStar,” The Crack pushes the band’s sound into a more narrative, psych indie direction, ahead of En Heat’s forthcoming debut album to be released in 2026.

Zachary Mason is a 28-year-old artist based in Guildford, UK. Since the spring of 2021, Zachary has created between 200 and 250 demo tracks on a recording kit gifted to him by a relative. He creates music in different genres, using acoustic and electric guitars, and also keyboards.

Neural Pantheon is a storyteller at heart, drawn to the shadowy spaces where folklore meets modernanxiety. Influenced by the narrative traditions of folk balladry and the moral weight of ancient parables, he crafts songs that feel both timeless and urgently relevant—tales of bargains struck, prices paid, and the quiet losses we don’t notice until it’s too late.

Who You Been Talking To, however, is worth paying attention to – the kind of record crate diggers dream about.

Blackfoot Daisy releases “Stretch My Plum,” their first new single since 2023, marking a playful and confident re-emergence for the Americana trio. The song draws on ragtime and jugband traditions, pairing old-time swing with guitar, ukulele, violin, washboard, and close vocal harmonies.

Railcard do not chase relevance; they articulate it through patience, empathy, and an unwavering belief in the expressive power of well-made pop songs.

On the whole, this record is a bold statement of intent that demands to be heard as a vital, thumping heartbeat in the present day.

These are songs about return, but not retreat: to home, to happiness, to a version of oneself finally ready to stay. In embracing softness without fragility and joy without denial, Lande Hekt has crafted a bright, enduring statement of intent.

shame bring some blustery, finely-edged rock over from dear ol’ Blighty.

Johnny & The G-Men, hailing from Dallas, United States, is a powerhouse Original Americana band formed in late 2024. Led by the talented Johnny G on vocals, guitar, and keyboard, the band comprises seasoned musicians including Kenny McLellan on drums, Rudy Ringel on bass and vocals, and John “JB” Bradley on lead guitar. With Johnny’s extensive experience in the music industry and a deep-rooted passion for creating captivating music, the band brings a unique blend of Americana sound that resonates with audiences worldwide.

Das Sporten, hailing from Chicago, United States, is making waves in the music scene with their original single “Just A Dog.” Led by key contributors Andy and Aaron, along with longstanding bass player Mikaela and a rotation of talented drummers, Das Sporten delivers a unique sound that captivates listeners. Drawing influence from the 90s music era, this single showcases groovy guitar elements that set it apart from the band’s typical sound. Released on 01st Jan 2026, “Just A Dog” offers a fresh perspective on the age-old question of whether to take in a four-legged companion, blending catchy rhythms with contemplative lyrics.

Thought-provoking without being heavy-handed, melodic without being complacent, the album affirms that The Lemonheads remain most compelling when they allow vulnerability, wit, and craft to coexist.

The EP’s brevity works to its advantage, leaving behind the impression of a thoughtfully designed artifact rather than a fleeting experiment. ‘Lace-Orbit’ doesn’t ask to be consumed quickly; it invites repeated encounters, each one revealing new contours.

Formed in Nice in 1992, Corpus Delicti’s melodic, hard-hitting post-punk rock made an immediate impact, with debut album Twilight (1993) becoming a benchmark for the genre. Italian music magazine Ascension described the band as “an incredible mix of Bowie, Bauhaus and Christian Death”. Regularly ranked among the world’s leading gothic rock acts alongside The Cure and Joy Division, their 1994 album Sylphes was included in Uncut’s 200 Greatest Goth Albums.

Les Flâneurs** is the project of the musician and producer Alessandro Marchetti. His first album A Long Season (2020) was played in countless nations around the world and got rave reviews and appreciation. Afterwards, the project entered a phase of exploration. The new album Afterglow, to be released in 2026, arrives after six years of research, experimentation, and collaboration — a slow process shaped by mood, instinct, and artistic necessity rather than industry timing.

Living off Duane Eddy-style twang and inspired by the kind of wild, stripped-down rock ‘n roll that sent the New York Dolls into hysterics, the Rousers have been mostly forgotten. A newly discovered set of sparkling, rip-roaring demos from a session recorded for Sire Records is proof of their raw power and melodic gifts.

Kula Shaker’s Lucky Number EP serves as a tantalizing preview of their upcoming Wormslayer album, dropping January 30th.
Now in their third decade, Kula Shaker continues to to surprise us, blending eastern mysticism with Woodstock-era influences and quintessential BritPop sensibilities. From Jay Darlington’s *Doors*-evoking Hammond organ work in “Broke as Folk” to the militaristic march of “Charge of the Light Brigade,” the EP weaves through jangle-pop, psych-rock, and counterculture idealism with surprising dexterity.

Andra Suchy, a North Dakota native, hails from a talented and musical family. Renowned for having one of the finest voices in the industry, Andra is classically trained and a veteran of musical theater. Her illustrious career includes performances with esteemed artists such as Brad Paisley, Mindy Smith, Emmylou Harris, Chris Thile, John Prine, and soprano Renee Fleming. She has also collaborated on recordings with a diverse array of indie, rock, blues, and folk acts, including The Honeydogs, Jonny Lang, Peter Ostroushko, and Soul Asylum’s Dave Pirner.

Block has broken boundaries while setting standards for commercial and critical success from the beginning of his career—his influence can be felt in every corner of modern indie, folk-punk, and lo-fi songwriting, alongside contemporaries Regina Spektor, Beck, The Moldy Peaches, and Ani DiFranco.

A follow up to his acclaimed debut album “Roots,” Andy Hanson releases a new single entitled “Gravity,” on January 30th , 2026. Like Hanson’s debut album, “Gravity” urges listeners to embrace personal truths and confront life’s complexities. “Gravity,” was recorded at the Philville Records studio, in Eau Claire, Wisconsin, where Andy Hanson is able to silence the noise and continue to write real songs for a reeling world.

Seven Crows is the bold, genre-bending project of Los Angeles violinist and producer Chris Murphy, whose new single ‘Boreal’ is released this Friday (Jan 30th). Seven Crows latest release explores the shifting sands of our lives and how moments, memories, and emotions overlap and transform. Built from a 25-second electric violin loop layered with a second evolving loop, the piece captures what Brian Eno calls “the power of random change.”

Emerging from the vibrant music scene of Nottingham, England, NUTRI3NT is set to captivate audiences once again with his latest original single, “Losing You.” Collaborating with the talented Daniella Goldfine, this cinematic folk pop hit is a testament to NUTRI3NT’s evolving sound and musical prowess. Following the success of his previous BBC Introducing track, NUTRI3NT’s partnership with Daniella Goldfine brings a fresh and emotive quality to his music,resonating with listeners on a deeper level.

Jeremy Engel’s approach is rooted in live performance. Having played the song on stages such as The Bitter End (NYC), The Troubadour (London), and Hard Rock Cafe (Milano) and in 7 different countries in 2025, the goal was to translate that same energy into the recording, without overproducing or correcting what already works in front of an audience.

UK songwriter Lande Hekt finds happiness on her latest album, an indie-pop triumph of lithe melodies and soft, dreamy guitar-pop jangle. The Beths aren’t the only doing it.

Laura Calado’s vocals just pull everything together, moving from that Hope Sandoval enchantment into a melodic Kristin Hersh sharpness without missing an emotion. It’s ethereal and anthemic, moving up and over the oceans into some Middle Eastern dream pop ache and shimmer.

Andra Suchy is an internationally acclaimed singer and songwriter with deep musical roots. A North Dakota farm girl raised in a family of musicians, she’s been holding down a part since age two. Now based in Minneapolis, she has shared the stage with Brad Paisley, Emmylou Harris, Dr. John, John Prine, Yo-Yo Ma, and Nick Lowe. A longtime favorite on the beloved radio show A Prairie Home Companion, Andra has performed at renowned venues including The Ryman Auditorium, SXSW, Town Hall Theater, Wolf Trap, and First Avenue.

Rather than offering narrative certainty, the album invites reflection, positioning itself as a space to inhabit rather than a statement to decode. In doing so, ‘Holy Island’ is a striking and assured debut, one that feels timeless in its restraint and quietly ambitious in its scope.

This is music for the interior life, a soundtrack for those moments of stillness that occur just before twilight.

Baby Condor steps into the spotlight with their self-titled debut EP, a six-track introduction to a rich, melodic world shaped by harmony, analogue warmth, and timeless songwriting. Led by the single “Dreaming of the Day”, the EP invites listeners to disappear into a sun-soaked, melancholic journey across American highways, coastal roads, and hazy canyon evenings, a place where memory, longing, and reflection gently collide.

NYC-born, LA-based singer, songwriter, and producer Ally Bakst returns with her latest single, “Look So Pretty,” a darkly alluring alt-pop track that blurs the line between vulnerability and self-protection. Known for her raspy, enigmatic vocals and immersive electronic soundscapes, Bakst delivers a song that feels intimate, cinematic, and quietly confrontational, lingering long after the final note fades.

Born and raised in Milwaukee, Wisconsin, Ecuadorian-American artist James Laurent never set out to be a musician, let alone an independent album artist navigating the chaos of Los Angeles. Now 26, the RIAA Certified Gold engineer and producer turns inward with his latest 8-track album, Laugh at the Tragedy, a stark, emotionally raw indie-electric rock record shaped by burnout, heartbreak, addiction, and an unflinching sense of irony.

Dave Douglas’ Four Freedoms follows the trumpeter/composer/label owner’s usual protocol: provide a set of sturdy original tunes to an exceptionally talented ensemble, and lead by example in balancing melody and improvisation.

Florence-based synthwave project Out Run unveils their highly anticipated 12-track debut album_ Past Lives_ alongside the energetic and reflective title single “Past Lives.” The album and single mark a major step in Out Run’s journey, fusing cinematic 80s-inspired synth textures with contemporary production and emotionally charged songwriting.

… this release presents a focused portrait of The Bevis Frond in 2026; vital, tuneful, and entirely unburdened by nostalgia. It is an original and uncompromising statement that reaffirms Saloman’s status as a visionary outsider whose instinctual songwriting remains as sharp as ever.

‘Melborn’ is a record that manages to be both intellectually stimulating and deeply resonant, a rare feat in a genre often preoccupied with technical prowess at the expense of soul.

Through this reissue, we see a bold declaration of independence from an artist who proved that whether he was backed by a flickering circuit board or a screaming amplifier, his aesthetic remained an uncompromising, singular beacon of outsider art.

“The Return” announces Shesgot’s new album, A House Into a Body, out February 20, 2026, on Geneva-based Urgence Disk and Loop Collective. The Return arises from the bones of Afro-Cuban music mixed with contemporary Gilla Band – style sounds, a rhythmic dialogue that finds breathing space once all the instruments settle in, then gains final momentum on a Bark Psychosis/Seefeel-esque journeys.

Throughout the record, the production remains lean, favoring raw textures over polished artifice. It is a testament to Vega’s singular vision that these songs feel both ancient and avant-garde, rooted in the foundational myths of rock and roll while simultaneously tearing them apart.

The record operates as a sonic study of the nearness of things; the breath between two people, the uncomfortable closeness of one’s own anxieties, and the tangible texture of a live band playing in a room where the air feels heavy with intent.

The rhythmic patterns throughout the EP suggest a sophisticated dialogue with the original New York No-Wave scene, yet they opt for a controlled geometry rather than the total tonal collapse of their predecessors. Where No-Wave used rhythm as a weapon of nihilistic chaos, Clone utilizes it as a structural grid.

As a final release before retirement, The Best of JustFolk 2012–2025 stands as a perfectly fitting tribute to the ambitions and aims of this trio, and it doesn’t chase legacy or reinvention. Instead, it offers a sincere second look at songs that trust their own weight, and invites listeners to meet them where they are.

“I Choose to Be Free” is a song written from a place of deep respect and admiration for people who stand up for their freedom, dignity, and independence.
The song was written and composed by Alex Solo, driven by the idea that freedom is not an abstract concept, but a personal choice — something people are willing to fight for when it truly matters. Across the world, we see individuals and entire nations showing courage, resilience, and resistance in the face of pressure. That spirit became the emotional core of this track.

Elephant Moon is the project of Danish singer-songwriter Anders Dal, creating melancholic indie-folk that moves between dreamlike expanses and stripped-back intensity. With lo-fi warmth, layered guitar work, and emotionally direct songwriting, Elephant Moon focuses on simplicity and sincerity

As a whole, ‘Guppy’ is an emotionally intelligent record that thrives on subtlety and intention. Sweet Tooth understand that impact doesn’t require excess; instead, they focus on careful songwriting, expressive performances, and a clear emotional through-line.

For listeners who crave music that feels vivid, unfiltered, and emotionally unrestrained, this release is more than just a collection of songs; it’s a cathartic rush, a reminder of how powerful sound can be when it hits you not just in the ears, but beneath the skin.

Lyrically, “Angel” reframes the idea of salvation not as a singular divine presence, but as the everyday acts of care we receive from others: a message, a conversation, a shared moment of understanding.

It’s a confident, emotionally grounded release that proves The R.E.S.E.A.R.C.H. know how to craft pop-forward alt rock with both heart and bite, and it contains the promise of a lot of future potential for this trio.

It’s an almost unthinkable gamble to turn Hole into trip hop, but it pays off magnificently.

This is music shaped by time, meditation, and sustained focus, and for listeners seeking a contemplative yet richly detailed sonic journey, UNFOLDING offers a rare and rewarding experience.

US Roots Rocker DownTown Mystic has just released the “Hard Enough (Remix)” Single. The single features the Rock’n‘Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band*—drummer *“Mighty” Max Weinberg & bassist Garry Tallent. The single is the 1st release from the upcoming On E Street Remix project and will be distributed worldwide by The Orchard/Sony Music.

The Amanda Emblem Experiment formed in 2017, based in South East Queensland. Fronted by Amanda Emblem, the band performs a combination of original Folk, Rock, Blues and Roots music, with Amanda on lead vocals and guitar, Kelly King on harmonica, flute and vocals, Billy Adams on drums and vocals, Scott Astill on bass with a variety of live guests including Moses King on Lead Guitar. They perform live at local venues and Festivals having released four original albums, the most recent The Wood in Sept 2025.

Dulcimer visionary Sam Edelston has announced the release of his groundbreaking debut album, Making Waves. This bold new project marks the first-ever album to feature the dulcimer as the leading instrument on classic rock music in a rock band setting, pushing the boundaries of what the traditionally folk-associated instrument can achieve.

Yann Tiersen has long since abandoned the whimsical street corners of Paris for the salt-stung isolation of the Atlantic, and his 2025 double release, ‘Rathlin from a Distance / The Liquid Hour,’ marks the final shedding of his cinematic skin.

‘Eye of the Storm’ is more than a collection of songs; it is a cyclical celebration of growth and a deep breath of life. By embracing vulnerability and stripping away unnecessary polish in favor of raw, home-grown textures, Georgia Harmer has created an indie-folk portrait that feels both handwritten and universal.

‘Echo In The Dust’ is a work of revelation found in the fading light, capturing an artist who has moved out of the shadow of her influences to find her stride, embracing her own contradictions and successfully staying out of her own way.

Mute Swan have created an album that rewards not through grand gestures, but through nuance, patience, and an unwavering commitment to mood. ‘Skin Slip’ lingers because it understands that some experiences are not meant to be explained, only felt, then carried forward.

2. No Wave Gaze is not background music. It’s an immersive, demanding listen that confirms Vitelli’s commitment to exploration and his refusal to repeat himself.

Unsettling, beautiful, and deeply human, mother’s day is the sound of an artist who has walked through devastation and returned with hard-earned truth, offering comfort without compromise.

At its core, REDEMPTION is the sound of an artist moving forward at full speed, aware of everything they’ve lost but even more focused on what’s still possible.

Whiskey General is fronted by Jay Serrao, a British artist whose background as a Gulf War refugee and long-standing touring musician informs the emotional core of the album. Serrao has supported artists including Idlewild, Billy Bragg, Scouting for Girls, and Doves, and has worked with organisations including Universal Music, BBC, ITV, and Disney.

“Nobody’s Home” follows Franxie’s debut single “Fucking Around”, which explored autonomy and self-determination. Where that release was more confrontational, Nobody’s Home documents emotional withdrawal and stillness, showing another side of the same project.

Veteran folk singer-songwriter Doug Mishkin delivers one of his most direct and unsettling statements to date with “If They’d Been Black,” a searing response to the January 6, 2021 insurrection and the racial inequities it laid bare. The song appears on Mishkin’s latest album, Tip of the Spear, a collection of socially conscious and deeply personal songs rooted in the American folk tradition.

Throughout the evening, LSD and the Search for God demonstrated why their limited discography holds such immense depth. Their music is not about nostalgia, volume, or spectacle, it is about immersion, about dissolving the boundaries between audience, stage, and sound.

The literary and philosophical influences that accompany the record are not decorative references; they echo its central preoccupation: the impossibility of fully grasping what happens to us as it unfolds.

This transition from small-room folk to a more robust pop-rock landscape demonstrates a significant growth in their production vocabulary, aided by the use of real tape saturation and analog delay units that give the guitars a worn, nostalgic patina.

By embracing vulnerability and stripping away unnecessary polish, Mangan has created an indie-folk portrait that feels exactly as the title suggests: recorded in natural light.

Tracing the evolution of their songwriting reveals a journey from the more grounded, indie-rock foundations of their debut toward an increasingly symphonic and long-form philosophy.

“Black White Red” is the new single from Oxfordshire alt-rock band Wilderness States led by singer Shauna Reed. Black White Red is the latest in a run of singles from Wilderness States, a group that has quickly grown to be one of THE hotly tipped bands on the ever-thriving Oxford scene.

Goddamn Wolves is an indie rock band from Raleigh, North Carolina. Vocal duties are shared by guitarist Chris Weilding and bass player Laura McCullough. This often invites comparisons to classic alternative acts such as Pixies, Versus and X. However, in addition to being influenced by these bands, Goddamn Wolves is also very much invested in current indie rock sounds, resulting in what The Big Takeover called “the sound of the rock genre being polished, tweaked and brought up to sonic speed.”

Paris-based singer-songwriter Tim d’Aboville has released his debut EP, Reflets, now out. The five-track EP is a warm folk-pop project that introduces Tim’s signature sound: acoustic-driven songs, emotional lead vocals, and modern textures, rooted in a deep exploration of love, faith, and human connection.

Her debut single, ‘Thinking of You,’ earned support from a range of indie blogs and radio stations — highlighted by coverage from Flex and several spins on Amazing Radio in the UK and US. It marked the first wave of momentum as her audience began to grow. The new release “I Don’t Mind” (out January 23, 2026) reveals a sharper, louder side of that universe — indie-rock with a subtle punk bite, raw and sarcastic, threaded with trumpet lines that bring a strangely human warmth to the chaos.

Cyanotype, (produced by John Agnello*- *Sonic Youth, Dinosaur Jr. – and mixed by Brian Deck – Modest Mouse, Iron & Wine) is a blue impression of white-hot moments in early adulthood. The album continues the band’s signature hooky guitar parts and narrative lyricism with a more mature sound. “Philosophy Test” elucidates an ironic multiple-choice exam and explores the dangers of accepting objective truths shaped by me and thousands of years ago. Guitars on Paperdoll form a crunchy wall of sound behind a description of a two-dimensional relationship. Agnes Uncaged presents a new era with an ambitious record that won’t be pinned down, and doesn’t need to be.

Award-winning singer, songwriter, actress, and producer Dawn Derow announces the release of her new single, “Everything’s Gonna Be All Right,” a vibrant and soulful reimagining of the 1988 Tuck & Patti classic written by Patti Cathcart and Tuck Andress. Featuring acclaimed guitarist Sean Harkness on acoustic guitar and backing vocals, the single—along with its accompanying music video—will be released on January 23, 2026.

For Scenes From Above, his fifth Blue Note disk, Lage assembles a new band, composing material specifically for this combo of players.

Fundamentally, ‘Gala’ is a document of a band figuring out how to balance pop sensibility with sonic extremity. It captures a moment where the coziness of the dream-pop aesthetic was still dangerous and physically imposing.

“SPIT” by St. Divine is the lead single from the band’s first LP, scheduled for release 3.20.26. SPIT is an aggressive, riotous tune marked by St. Divine’s hallmark rapid-fire dual vocals and explores themes of anger and frustration that resonate with both relationships and society at large. The garage punk track opens by simultaneously demanding escape through vices (I need a drink, I need a smoke) followed by incredulity (need you to tell me this is not a joke).

From Scotland , but now living in rural Australia, Coolonaut creates analogue Psychedelic Mod Music for the era in which we live . Inspired by the greats of the past and fuelled by the increasing absurdity of the world around us

The session captures a band in full command of their craft, able to honor the urgency of live performance while subtly expanding the contours of their songwriting. The record underscores the value of attentive listening. It rewards focus, revealing details that might otherwise pass unnoticed in the flux of broadcast.

Olina is a greek London-based jewellery designer (Drool Jewel) and indie songwriter whose work lives between sarcasm and sincerity. Her music blends cathartic indie rock anger with soft folk existential dread. Her upcoming EP, By The Book (releasing Jan 21st), documents the fragmented experience of growing up between cultures, told through a wry, poetic lens.

On Convergence, the former bottom-holder for Nik Bartsch’s Ronin and frequent sidedude for Anouar Brahem uses his six-string bass more subtly, even meditatively, plucking out shimmering melodies and slowly unfolding grooves.

Critically acclaimed poet and songwriter Larry Beckett announces the release of his fifth album, Though We Have Only Love: The Songs of Jacques Brel, a tribute to the legendary Belgian singer and actor Jacques Brel. Out January 9, 2026 via The Orchard/Sony, the album reimagines 14 of Brel’s iconic 1950s and ’60s chansons in a contemporary alt-rock style while staying true to their original melodies and harmonies.

What makes the album resonate is its refusal to package its themes in cliché. This is not an album about escape or triumph; it’s about engagement, with oneself, with others, and with the oft‑messy space where those encounters happen.

This release isn’t about what The Motorcycle Boy failed to become. It’s about what they already were: a band capable of writing concise, affecting songs that trusted subtlety over spectacle.

What makes the ‘Truth’ reissue compelling today is its timelessness. Its dreamy textures, contemplative pacing, and emotional poise resonate with listeners now as it did on first release. ‘Truth’ demands attentive listening, inviting engagement not just with the music, but with oneself.

In the end, listening to ‘Tiny Shapes / A Room Forever’ is like stepping into a parallel pop history that never existed, or perhaps a history that always quietly simmered beneath the mainstream. It is an album that rewards keen ears and a love of detail.

TAGABOW’s evolution from synthetic maximalism to raw humanism is complete, creating an album that is simultaneously massive, intimate, and unflinchingly honest. It is the clearest articulation yet of why They Are Gutting A Body of Water remain one of the most vital forces in American shoegaze.

Delving into the essence of “When Alone,” Matare drew inspiration from a rich tapestry of influences that prioritize emotional resonance and subtlety over flashy production. Echoes of bands like The Cure, New Order, and The Smiths can be felt in the moody atmospheres and deliberate pacing, while contemporary artists like Wild Nothing inform the delicate balance between intimacy and restraint.

Miller and Jones don’t frame Sunroof as a legacy project, and ‘Vol. 3’ makes clear why. This isn’t a summation of past achievements; it’s a continuation of curiosity. Each track begins from zero, with no thematic blueprint beyond the act of listening to the machines, to each other, to the moment itself.

Adamson provides more than a mere accompaniment; he constructs an immersive descent into a vanished London subculture, distilling the spirit of late-night rebellion into a visceral, unvarnished sonic archive that feels as vital as the flickering specters it haunts.

What makes ‘Big Ugly’ remarkable isn’t just its specificity, though the gas stations, highways, and first-name characters feel uncannily real, but its generosity. Dowdy writes from a position that is both insider and outsider, loving the South without mythologizing it, critiquing it without condescension.

What makes ‘Diamond Grove’ so compelling is its emotional clarity beneath the abstraction. Despite the layers of noise, processing, and conceptual weight, the record remains deeply grounded in human presence.

Martin Kuiper’s musical journey is no ordinary story. He released his first song in 2023, at the age of 49, and since then, his musical output has remained steady, with the folk rock album “To Feel Is To Believe,” the live EP “To Hear Is To Believe,” and the five-track EP “Dreaming Of Sea Of Time.” Now it’s time to rock for Martin Kuiper, with “Time” and “Ego” as his first two impressive trump cards.

Canadian-born composer/pianist Jeff Vidov (pronounced Vee-daw-v) has been releasing new music singles from his upcoming 2CD rock/pop album in 2025, a mammoth project that has been in the works for years. His brand new single is “TAKE A RIDE” and it was preceded by his last singles “LOVE”, “New York I’m coming to you”, “Can u get the vibe from me baby?” and “State of Innocence” and “All nite long” and “Running in Place” and “Oh mi da dey di” all recorded at his recording studio in Toronto with Canadian musicians.