“It’s now or never. Really the song is an anthem of love – love me or leave me. You either bring love to life, or you’re not living.” (Michael Des Barres)
“It’s now or never. Really the song is an anthem of love – love me or leave me. You either bring love to life, or you’re not living.” (Michael Des Barres)
While it might not be the cultural earthquake of Bob Dylan going electric, Langhorne Slim’s latest evolution is no less striking. Traditionally known as a folk-rock troubadour, Slim’s new collaboration with members of Greta Van Fleet sees him plugging in and leaning into a raw, rock-forward energy.
While it might not be the cultural earthquake of Bob Dylan going electric, Langhorne Slim’s latest evolution is no less striking. Traditionally known as a folk-rock troubadour, Slim’s new collaboration with members of Greta Van Fleet sees him plugging in and leaning into a raw, rock-forward energy.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
Over their eighteen years as a band, Jim Putnam’s Los Angeles based collective Radar Brothers proved to be a model of consistency and melancholic, sun-baked comfort. Defying conventional, perpetual myths that artists must consciously reinvent themselves, a deep dive retrospective at the band’s working class trajectory reveals a singular path on the perennial edge of a larger, opportunistic breakthrough.
