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The Big Takeover Issue #93
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"Other Stuff" with Heart

21 February 2007

Hello. I’m going to be an “other stuff” guy here at

15 Underrated Albums

12 February 2007

What albums do you think deserve more credit? The Cavedogs, Readymade and the Godfathers make my list.

Pazz and Jop Poll Quotes Jack Rabid / Guest Essay: Tired of Jim Morrison Worship?

10 February 2007

I am pleased to note that the Village Voice’s annual Pazz and Jop music critic’s poll has used two quotes from my piece on the Year in Music 2006 in their cover story this week. / “Jim Morrison was supposed to be a great poet, though none of us read poetry and would have hated it if we’d been forced to. Still, his literary reputation had the convenient effect of giving Morrison’s expressions an irrefragable claim to high merit, like the work of a Nobel laureate. The upshot of all of this was that Morrison became the hero of a bunch of small town teenagers who, naturally, got it all ass-backwards. I can’t break the connection in my head between Jim Morrison and the highly ironic movement of teen conformity that his life inspired.”

Ooh...Long Time No Hear!

1 February 2007

Isn’t a key part of the absolute joy of music – one reason we all obsess so much – this pleasure in that moment of recognition, and in getting to know the song itself that well in the first place?

What Can Brown Do For You?: The “Heresy” of Negative Capability in James Brown’s “I’ll Go Crazy"

30 January 2007

“I’ll Go Crazy” is as good of a place to start talking about the greatness of JAMES BROWN as any.

A Tale of Two Halls of Fame

19 January 2007

The rock industry’s power players love to peddle iconography associated with freedom, rebellion and anti-establishment thinking but when it comes to selecting members for its hall of fame, cloak-and-dagger machinations rule the day.

Excerpt from Songwriter's Notebook (12/31/06)

4 January 2007

I’m also often amazed that it’s so rare that I ever see someone singing outdoors, or at their jobs, yea’ e’en in the marketplace! But it’s great when it happens, even if it’s only a cover version, or even if the person sings out of tune. Hell, I used to do when I was 12 years old while I delivered newspapers! Not as much lately, even before the accident, but why? Because I had become the professional, honing those raw simple a cappella melodies into well-crafted songs

My 10 Favorite Albums of 2006 [version]

27 December 2006

It’s impossible for me to say definitively what are the 10 most important albums of the year, or even my 10 favorites, without continuing to think “what about this other one?” Here, then, is another Best of 2006 top 10 albums list, one reflecting my thinking today as far as my favorite albums of the past year.

Death of an Idol (Billy)

15 December 2006

After the recent release of Happy Holidays: A Very Special Christmas Album, I have come to realize that the Billy Idol I once knew and loved is dead.

Reminder: Big Takeover - Still in Time for X-mas Gifts! / R.I.P. Wiz from Mega City Four (44) and Dirk Dirksen (69)

13 December 2006

1) Just a reminder that there’s still time for the perfect X-mas gift: Big Takeover magazine! We will be glad to send the package by priority mail. 2)I am stunned and sad. Wiz was a friend and we just had dinner in September; I never suspected I would never see him again. 3)Dirksen fit the late ‘70s punk rock times better than anyone as an MC. Instead of lauding the fans and artists, he was like a one man Dean Martin roast, encouraging a state of near riot.

When a Listener Becomes an Audience, Must a Recording Act Become a Performer? (Notes from a Radio Orphan, Part I)

12 December 2006

It’s more common and generally easier for a lower-class musician to develop a local reputation through live shows than it is to develop a mass-cultural reputation through recordings. Conventional wisdom claims that the former is a pre-condition for the latter. The success of my old band, THE SILVER JEWS, is
a rare exception to this, yet, lacking such fortune that allows me
access to the cultural middleman of mass culture, I now feel that in order to continue to make music, I must forget about the solitary listener, alas, and with it, the ideal of the well-crafted song—-at least for the time being

Big Takeover Mag #59 Out: Info, Quotes / Idolator loves BT! / Springhouse / Don McGlashan (ex-Mutton Birds) CDs

1 December 2006

Hello BT Readers and Decent Music Fans! Here’s the latest on our end: 1) Info about the new issue 59, out in the stores now, and some sample quotes from it! The perfect holiday gift! 2)A rave review of The Big Takeover from The Idolator music web site 3) import Don McGlashan (ex-Mutton Birds) CDs (at domestic price) and out of print Springhouse CDs now available for sale on our secure online store here!

Blog Write-up/Photos of Last Week's Big Takeover Party / New Issue #59 En Route!

20 November 2006

It was an enormous success, as you can probably tell from the blog write-up and the shots. I really had an excellent time, as you further tell from the happy look on my face in the photo where it’s clear I am amazed to be introducing the great Don McGlashan, all the way from New Zealand. It looked like all three artists, and everyone in attendance, and our colleague/alumni, Sound Fix’s proprietor James Bradley were pleased with it as well. So it’s looks to be a sure bet that we will do another one!

Alissa Quart On Toronto's Breaking Social Scene

20 November 2006

In her New York Times Magazine piece on the Toronto ‘youth’ music scene that revolves around the ‘flagship’ band BROKEN SOCIAL SCENE, ALISSA QUART shows that piercing wit and, at times, brutal insight, are alive and well in today’s muckraking rock journalism.

"In The Ghetto" and the Power of (Political) Tears

3 November 2006

While punk and rap bands for the most part didn’t want to blow their ‘street cred’ or coolness by crying, country music and to a lesser extent, ‘adult contemporary,’ largely took up the slack, even if too often it felt like muzak version of tears.

Come TOMORROW, Saturday, November 11: First Ever Big Takeover Low-key/Lo-watt Afternoon Party! With Sound Fix Records Store in Brooklyn; Members of Mutton Birds, Boo Radleys, and Springhouse to Play For Free! All Welcome! Scritti Politti to Play Afterward

28 October 2006

Hey, we haven’t had a Big Takeover party in a few years, and we have come up with a new wrinkle for one. Rather than doing it on a weekend night with loud live bands as we have in the past, it’s time we did a weekend afternoon with some international all-star acts playing unplugged/lo-fi in a comfy cafe adjoining one of New York’s truly great record stores, Sound Fix! For free!

Some of My Favorite Songs Are B-Sides

24 October 2006
loved looking through the jukebox for a band that I liked, and picking the song I’d never heard before: the B-side. It was a magical thing; it could be treasure or trash, but always something interesting.

The Hunt Begins

20 October 2006

Done up in glistening war paint, tricked out with teeth and feathers and bone and laced into plenty of black leather and denim, The Hunt not only look the part, but play it all too well.

Personal Canons: Other Albums That Mean the World to Me

7 October 2006

Critics debate the usefulness, or uselessness, of canons all the time. I only care about personal canons, about what albums really mean something to individual people who care about music.

Open Letter to Boots Riley of The Coup

4 October 2006

I’ve been performing my version of your song “Ride The Fence” to very enthusiastic mostly white ‘indie rock’ and/or primarily apolitical folky audiences on both sides of the bay, and I’d like to record it for an upcoming album. I need to get your permission and/or blessing to do this.

“Someone To Perform With:” An Image of John and Yoko [Part II]

19 September 2006

You could ask, why would they do it? But it’s probably better to ask, would you do it? And if not, why not? But what if love itself has to be a work of art in order for the art you make to be a loving art?

Don't Shout Louder, Say Something New

16 September 2006

In our Internet era, anyone can instantly become a music critic, and for a lot of reasons I love that. At the same time, what’s the point if everyone’s writing variations of the same article?

“Someone To Perform With:” An Image of John and Yoko [Part I]

5 September 2006

In this sense the fantasy is embodied, the private is public, and there is peace in the universe, or at least an image of peace, and, ay, there’s the rub! For an image of peace, like any idol or icon, threatens the very peace it may be said to represent.

On Falling Out of Love With Music

30 August 2006

We’re all familiar with music that slowly grows on you. But what about music that slowly means less to you over the years?

My Love/Hate Relationship with Concert Reviews

11 August 2006

I have a hard time writing concert reviews myself. The reason: it’s hard to write about a concert without it turning into a journal entry.

Dear Pacific Gas and Electric: Consider Acoustic Music as a Form of Energy Conservation

3 August 2006

Yes, you could marshal the full force of your persuasive muscle to convince these industry types that pushing more acoustic acts could still ROCK or radiate whatever kind of intensity, warmth, and emotive power deemed marketable.

Sometimes, "Classic" Albums are Considered Classics for a Reason

27 July 2006

In receiving these CD versions of long-forgotten-but-once-precious-to-me albums, I’m enjoying re-experiencing them, facing them head-on once again.

Open Source Radio: The New Weird America? [Part II]

26 July 2006

... I can now say with conviction (that I wouldn’t have had only a month ago) that with the success of KYOU, music podcasting has finally arrived and AM music radio is back.

Tokyo Rock City: Let's Not Bring Down the Government

21 July 2006

With a sweeping silver mane that would be better suited to an aging rockstar rather than a prime minister, JUNICHIRO KOIZUMI is not only the most powerful man in Japan, but also a rock ‘n’ roll obsessive.

Listen to Them Again: Re-evaluating Guided by Voices

17 July 2006

Listening to that much GBV in a row was never tedious; instead, I found it consistently exciting. I was reminded of how many truly great songs ROBERT POLLARD has written…

Open Source Radio: The New Weird America? [Part I]

17 July 2006

... the “iPod revolution” may light a long overdue fire under the butt of increasingly complacent ‘independent’ radio program directors.

My Favorite Monkee: An Appreciation of Michael Nesmith [Part II]

8 July 2006

I know that MICHAEL NESMITH had a lot to do with easing the transition from what DAVID BERMAN calls the roped off amusement park called ‘Rock World,’ toward a wider appreciation of ‘roots music’ and country in particular, just as GRAHAM PARSONS, GENE CLARK, RAY CHARLES, THE GRATEFUL DEAD, BOB DYLAN, or maybe (just maybe) the ‘alt country’ movement have for others.

Surprise Is the Key: Leave Your Old Favorite Records on the Shelf!

7 July 2006

The flip side of the too-much-music dilemma is this: the more music I open myself up to, the greater the likelihood that I will be surprised.

My Favorite Monkee: An Appreciation of Michael Nesmith [Part I]

25 June 2006

While some could claim that we probably never would have heard of, much less care, about MICHAEL NESMITH, had it not been for the Monkees, it’s equally plausible that his success with THE MONKEES has actually prevented a greater appreciation for his solo work.

On Moving a Musical Life to a New Home [Part II]

22 June 2006

This jazz that is life is set to a tune you can’t get out of your head and it feels like your most understanding companion. You’ll carry around your wonder of it from place to place like you’ve got the museum of truly modern and moving art in your clutches, and how wonderful that, unlike MOMA, this same stuff you schlep was available to your friends and cronies for them to own too and revel, revel, revel in the current that makes you feel like your hair is standing up on end, Linus-like.

Maybe the Words Don't Matter Half as Much as the Tune [Part II]

20 June 2006

But even if the words don’t matter as much as the tune, the tune may not matter as much as a good singer. “The singer not the song” dichotomy definitely complicates the words/tune dichotomy…

Greater Access to Music = Less Magic in the Long Run?

15 June 2006

While I’ve always rejected the notion that there’s too much music released day-to-day, sometimes I wonder whether there’s too much music in my world.

On Moving a Musical Life to a New Home [Part I]

14 June 2006

I am betting that a ton of our readers are similarly peculiar in this aspect of moving. We have compiled a truly unusual amount of musical detritus as the years have passed. I mean, let’s just think a second about that word “cassettes.” I mean, how many cassettes do I play in a year these days? A few dozen? Well, it took some 14 large boxes to get all of the ones I have ready for their maiden voyage to Brooklyn.

Maybe the Words Don't Matter Half as Much as the Tune [Part I]

6 June 2006

I found that trying to fit words to this particular melody was threatening to make me abandon the song for another one without as pretty of a melody and I didn’t want to have to do that.

An Open Letter to Bob Dylan: Happy 65th Birthday!

27 May 2006

“In many a dark hour I’ve felt so ashamed
That the world Jesus fought loves to shout out his name
But I can not speak for you
You’ll have to decide
Whether Jake Dylan’s father had Bob on his side”

Folk-Punk Piano Players of the World Unite! [Part II]

24 May 2006

While strength of songs and/or intensity of passion can help make up for many folk or acoustic guitarists lack of virtuosity, such allowances are less likely to be made for solo pianists.

Listening Without Prejudice: Why MP3s are an Artistic Boon to Musicians

19 May 2006

While there’s been ample hand-wringing about the evolution from vinyl to CD to the MP3, something good and very underappreciated has happened in the process.

Folk-Punk Piano Players of the World Unite! [Part I]

16 May 2006

One can be called a ‘freak folk’ artist, for instance, if one plays the harp, but there’s not enough novelty for a pianist to warrant this currently fashionable designation.

Rethinking the Relevance of Billy Bragg in Today’s Music Scene [Part II]

9 May 2006

The idea of cheap production and cheap entertainment, as in THE MINUTMEN’s ‘econo’ philosophy, which was so central to 1980s alternative culture, has largely gone the way of the small car, and with it, we’ve lost a certain aesthetic beauty of jagged edges…

Rethinking the Relevance of Billy Bragg in Today’s Music Scene [Part I]

24 April 2006

If I were a DJ or podcaster and someone called up and requested Bragg’s version of “She’s Leaving Home,” I’d suggest his rendition of “Walk Away Renee” or one of Bragg’s many great originals…

Ugly Betty

24 April 2006

I automatically have a bias against this show from the start, even though I’m curious to see it.

Fragile Industry Ears: The Necessity of Overthinking Song Order

13 April 2006

You’re trying to catch the ears of labels, reviewers, and DJs who may give it one half-listen while multitasking, and never make it past the first song, or who may play each song for 30 seconds without giving the album time grow on them (a practice which may explain why so many popular albums don’t hold up to repeated listening).

Take Me Out of the Ball Game

3 April 2006

From undulating butts lighting up panoramic scoreboards to BARRY BONDS’ troublesome pursuit of the all-time home run record to a cynical steroids investigation, baseball has never strayed so far from its idyllic roots.

My Alternative to Noise Pop 2006

3 April 2006

Sometimes, you just need to be reminded of what made you want to be a musician in the first place…

Notes from a Semi-Annual Advertising Salesman

24 March 2006

One of the things I want to do in this space is to occasionally give you an inside view of how magazines are made. Today, I will give a glimpse of why our print mag comes out only twice a year (1982 was the last time we came out more often), since it’s a question I am frequently asked by readers.