Two new releases and music by my friends on MySpace. Real friends I’ve met in person and hung with outside of musical contexts.
Never mind crate digging, the new thing is archive digging, and soul is proving to be especially rewarding territory. These 1973 tracks, most previously unreleased, offer yet another sterling example. Amnesty was an Indianapolis band combining the vocal talents of The Embers and the instrumental skills of The Crimson Tide. Their mix of harmony-vocal soul with deep funk will please P-Funk fans, while occasional traces of Afrobeat recall Osibisa and Mandrill. There’s nothing about the thoroughly enjoyable music here that explains why it wasn’t released at the time, until the bit in the booklet notes that says the Lamp label for which they recorded specialized in rock. The 1970s’ loss is our gain now that this killer album has finally appeared.
Woody Allen has said, “Is sex dirty? Only if it’s done right.” After hearing this sonically stained techno-glam nugget, I suspect Kristen Korvette feels the same way…about music.
This former member of Five Chinese Brothers and I went to college together. We’re old, and this is a reassuring song about that.
I can remember when the only song Ron sang in public was “Got My Mojo Working.” He’s come a long way, baby.
I met Christine Back when she came into Sound Fix to ask us to sell her CD on consignment. It quickly became one of my favorite albums.
Rebecca and I met when we were both writing for New York Review of Records in the early ‘90s. Her voice and her songwriting are both pure and beautiful.
I work with drummer Adam Kriney at Sound Fix. I need to review a lot more of his many albums than I have gotten around to glorifying in print.
Katie throws great parties. She’s a Yoko Ono fan. Her album, Now Is the Destination, is great, but right now I’m smitten with this non-CD track.
I could put Jesse Ainslie and Jeff Bailey here separately (and Dan Weber, if I find him on MySpace), but why not combine their talents while they’re still together? Last show happens this Thursday 2/15 at The GlassLands.