Reflection, especially self-reflection, is a powerful tool. And it is this idea that forms the basis of “Snapshots,” the latest single from multi-media, multi-disciplinarian Deja Dead. The idea that sometimes you have to step backwards to find the way forward, that it is only when you sink to the darkest depth that the path, the vision of the way out, the snapshot of where you need to aim, reveals itself. And it is through self-reflection that the process is ushered in.
It’s a message that Deja Dead wraps up in the most intriguing and experimental slices of modern indie-rock. Almost rapped deliveries dance over confident, urban beats, guitars add staccato rushes, and synth grooves bring the melodic energy. And before you even get to any of that, you are treated to an introduction that was recorded on the last remaining cinema organ in Scotland, sounds that are filmic and nostalgic, haunting and, perhaps, unexpected. But amongst all of that, it is space that is the important ingredient.
Space allows light in, frames the various sounds, and leaves room for atmospheres to pool and percolate between the more tangible sonics. It is also such space, such dynamic ebbs and flows, that means that each lull pulls you down with it and each sonic high is a longer, more powerful, more explosive journey.
Fans of Beck will love this, not that it necessarily sounds like his work, but in terms of concept, originality, artistry, and the need to walk a more outside track than the one that fad and fashion dictate, they are kindred spirits. And that, in my book at least, is high praise indeed.
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