We all know that feeling of constantly chasing behind the cart, like there just aren’t enough hours in the day to get everything done that we need to. Luckily, Names Without Numbers know the feeling too. In fact, as we hear on the Omaha, Nebraska quartet’s new single “Ping Pong Ball in a Concrete Room,” they know the feeling all too well.

Go Betty Go’s Black & Blue EP, via Wiretap Records out on September 13. The EP features six tracks, including two newly recorded live-show fan favorites from early in the band’s career. Black & Blue was produced by Davey Warsop (The Used, Face to Face, Chuck Ragan, Matt Skiba). Go Betty Go’s music is driven by Betty Cisneros’ guitar, Nicolette Vilar’s vocals, Michelle Rangel’s bass, and Aixa Vilar’s drums.

“Chapter & Verse” sees Deadlight Dance return to writing original songs, following on from March’s ambitious “The Wiltshire Gothic” project. Almost a year to the day since the band’s critically acclaimed debut album “…Beyond Reverence” was released. It also sees a return to the full band sound that the duo make.

December Friend was born out of the pandemic when Joel Leviton reached out to friends Jeff Victor (Minneapolis musician, composer, and producer) and John Wlaysewski (of Brooklyn-based band Late Cambrian) asking if they wanted to collaborate on a new project. Thankfully, they said yes. All songs for December Friend’s initial album, Splendor Never Dies, were recorded remotely in home studios in Minneapolis and Brooklyn during the pandemic. They followed the same formula for December Friend’s latest release, In a Warmer Way, recording songs written by Joel Leviton at home studios in Minneapolis and Brooklyn.

The GET is a New Orleans-based electro-folk trio founded by singer-songwriter and guitarist George Elizondo. The band is also comprised of Chris Beroes-Haigis (cello, FX) and Violeta Del Rio (vocals, keyboards, drum machine, FX). Together they produce the songs and the band incorporates folktronica, art rock, and post-punk elements combining acoustic instruments with an electronic palette of sounds.

Dallas Orbiter is a long-running Minneapolis-based rock quartet exploring the cusp between sophisticated pop songwriting and modern, spaced-out psychedelia. The group began with long Krautrock and electric Miles Davis-inspired space jam sessions in the late 90s/early 2000s in the process of refining an ensemble sound. The band released 3 full-length albums and 2 EPs between 2000 & 2008, along with an online-only monthly singles project in 2011.

Vernons Future are an indie band from Oxford/London with a distinctive twist on the poppier end of the indie spectrum. VF were born as The Vernons in Liverpool back in the 80’s, played hundreds of gigs and released debut album Smithdown Road on Probe Plus at the start of 1990. Then promptly split. VF reformed in 2015 and recent singles have picked up plays on the BBC, across the UK and around the world.

Noble Jonson is a Belfast based singer, musician, and songwriter who stands out for his old-school approach to making music, creating songs that are exciting and free whilst prioritizing authenticity – real musicians playing in a room together on analog equipment. His sound digs deeper into a melting pot of different musical tastes and interests, going for a one-of-a-kind vibe.

This song perfectly merges the erratic guitar sounds of shoegaze/dreampop, tight beats of new wave and post-punk with catchy hooks of pop rock. The chorus will be spinning in listeners heads for a while.

The new album from The Winter Sounds, Bedazzled, but not Forgotten will be released 11 October 2024 on Kitty Kant Collective and will be Patrick Keenan’s 6th full-length LP released under the moniker The Winter Sounds. The singles “Cottagecore” and “Not Everything is a Song” will come out September 5 and October 2, respectively.

If you’re a fan of the dynamic sounds of Jelly Roll, HARDY, and the early releases from Kelly Clarkson and P!nk, you will want to hear about WHIT (formerly Whitney Miller)! On September 6th, WHIT dropped her highly anticipated debut self-titled EP, including her previously released singles “Black and Blue” and “Ready Or Not.”

In co-creation with Nixi Music, Michael Beck is now releasing the song “Anymore”, featuring his friend and musical colleague Steven Walters, with the words and music by David M. Bailey. It is a beautiful song and message about the opportunities of teachings received from adversities in life, including ideas around faith and believing in God, and how the different experiences can teach us about slowing down, and enjoying life as sacred beings on this earth

Singer/ songwriter, Shaun Lewis, presents songs he has written and recorded and they are made available publicly on platforms for the first time. Existing material will be shared as a trilogy of EPs with SL EP1 released in July 2024, SL EP2 will be released 23 August 2024, and final EP, SL EP3 release date will be announced in due course. New recording and live dates TBC.

Myles from Home is known for a highly energetic and entertaining live show that “gets almost festival rhythms going right away”, even when in a club. Another review simply claims “Oh yeah, these guys are epic!” Catch them touring around Canada building up to their debut album in 2025.

Nick Stone is an indie rock artist with a soulful twist, blending folk and indie rock with a hint of western charm. Hailing from Kelowna, BC and now making waves in Vancouver, Nick has played remarkable shows and recorded an impressive catalog of music. Inspired by rock and roll legends, classic country and folk artists, and the sweet harmonies of 50s and 60s doo-wop, his music transcends genres, resonating deeply with listeners.

The first single to be released from the forthcoming second Citizens of Yeah album features angular guitars and melodic bass. A song about wolves written in the context of rising cost of living and dissatisfaction in the UK. This isn’t a fairy tale.

HATS™ is a chameleon. Crafting dreamy soundscapes for weary souls. A bittersweet chorus of vocals slice through strange synthy songstories to weave blankets of sound for your soul. Their musical roots go back to their initial band, Vienna Ditto, where they sang bluesy riffs over rockabilly guitar. They’ve grown up now and branched out alone. Inspired by ANOHNI, Radiohead, and Kate Bush, HATS™ is unfurling leaves of musical tenderness, escalating tension and genre shapeshifting.

This acoustic track features layered guitars, vocals, and soundscapes inspired by early Bon Iver. A ‘cant’ refers to hypocritical, sanctimonious talk, and this song addresses the rhetoric of imposter syndrome and the negativity a creative experiences when they feel they just aren’t “making it” according to others’ standards. It reflects the mindset of someone on the brink of giving up, yet unable to do so

Industrial-inspired alternative metal with a touch of Björk’s soft and angelic vocals telling the story of a Middle Eastern young woman trying to find her place in society and breaking down over and over again. Recorded at City and Goldsmiths Universities, produced by Bernadette Lara, mixed by Onur Erdem Ünal (aka. knee), mastered by Stephen Kerrison (DITZ, Liz Lawrence) , distributed by the state51 Conspiracy; this maximalist and industrial fury by Carrie Abyss feels like a final boss fight of a feminist-revenge video game. Dreamy synths, heavy guitars, and layered vocals.

“After my last album Tiny Injuries was released in 2023, I could feel myself slowly emerging from the dark cave of grief. Some days I would feel more positive and excited about things, but then other days I would take ten steps back and be right back there. I desperately want to change, to feel okay, and there is also a side of me that wants to hold onto the sadness. Sometimes holding onto the sadness of loss is the only thing that keeps that person around, and I struggle with the fear of forgetting them. All the songs on _Good Times for a Change”_feel like meditations on being somewhere in between the willingness to let go, and the desire to hold on… a time capsule of the internal dialogue I have with myself everyday.”

The Hill is an Americana style music project founded upon the songs of Jon Kowit, a former record store employee and indie record label owner, now sharing his music for the first time. Jon had written music for decades, but never played them for anyone.

Jared McCloud’s natural, earthy tone and thought-provoking lyrics showcase his talent and ability to draw audiences into his story. Starting his musical career in “Hard Rock/Metal” bands, Jared honed his notable guitar ability, quickly setting himself apart from other acts.

“Selah” is the second single to be released from Osiris Lights upcoming EP TRIPTYCH. Acting as a second part of the puzzle, ‘Selah’ shows a different aspect to the band as they delve into a more pop sound, highlighting a softer, more beautiful and introspective side to the band’s music.

J. Radøy, aka Papa J, the main producer and beats architect, lays the foundational grooves, setting the stage for M. Hovden, aka Tidal Water, who co-produces, writes, and delivers the lyrics. One of the upcoming singles, “Papa J’s Digital Stereo Noise,” serves as Hovden’s humble ode to Papa J’s unique musical approach and the dynamic synergy of our duo. Together, they infuse each track with a distinct identity. Jim Lehner from Tristeza & Tidal Water contributes live drum elements to some tracks and has composed and produced the synth track “Miami.” His natural drumming interweaves a rhythmic feel that complements the digital foundation, offering a fresh take on Drum and Bass.

“A Greek chorus! The essence of FATE! Shakespeare’s discourse on DESTINY: The songwriter himself turns into a guitar playing lizard in the music video!
It all comes to a head in Jeff Vidov’s new orchestra rock/pop energetic anthem “RUNNING IN PLACE”“

Based in the New Jersey town of Secaucus, Clay Joule is a singer-songwriter who makes buoyant and uplifting soft rock music, characterised by his delicate vocal leads and backed up by warm organic instrumentation. His music always carries an important message and his latest release, “Keep On” is no exception – a dialogue and reminder about who is really in charge of our destiny.

A vibrant blend of classic country and camp with a dash of 70s pop, Kimberly York’s latest LP, FUN was recorded at Gold Diggers in Los Angeles with long time producer, David Barbe. With roots in Kentucky’s rich musical landscape, Kimberly’s journey has spanned from church choirs to the dankest of barrooms, shaping her unique sound.

The Annie Minogue Band delivers an electrifying blend of rock, pop, and blues, reminiscent of rock’s greatest icons. The lineup includes Nick Saya (Drums), Nunzio Signore (Guitar & Vocals), Brian Karp (Bass), Rob Clores (Keyboards), and Annie Minogue (Vocals), and they never fail to excite audiences.

Gedalya also known as The Folk Rock Rabbi is an artist firmly embracing the genres of folk and roots, his spirituality and faith have provided him with a platform to explore music through a different lens. A teacher and guide exploring themes of faith, morality, and growth, his music is reaching a growing audience around the globe, touching listener’s hearts in every corner of the world.

Head Sound is a shoegaze/dream pop band from upstate New York. “Home” is the third single from their debut album. “It is a dreamy and soaring endeavor.”

“We are Plastic Tofu, a studio indie band. The last trip inspired us to create a summer song celebrating summer, sun, and travel. I hope you find yourself happy and enjoying it.”

Canadian alternative rock band OurGlassZoo share their new single/video ‘Shut Up’ out now on all digital streaming platforms via Volunteer Media/The Orchard (Sony Music).

Mannequin Flowers emerged from London’s vibrant music scene in 2023, blending lush dream-pop with sharp indie-rock edges and an arthouse aesthetic. The quartet was born from the friendship of singer/songwriter Isadora and lead guitarist Luca, bonded by their love of 80s bands like Cocteau Twins and The Cure, and 90s icons like My Bloody Valentine and The Cranberries.

Formed in 2018, Goddamn Wolves is an indie rock trio from Raleigh, North Carolina. The band draws influence from classic alternative rock bands like the Replacements and Pixies as well as current indie acts like A Giant Dog and together PANGEA. Goddamn Wolves is led by singer/guitarist/songwriter Chris Weilding (formerly of Hedwig and the Angry Inch band Cheater), Laura McCullough (bass/vocals), and Drew Foglia (drums/vocals).

Moontwin is singer-songwriter Maple Bee (aka Melanie Garside) and Zac Kuzmanov, founder of alternative global radio station XRaydio. They were friends for many years in London, but when Zac relocated to his native Bulgaria after contracting a degenerative muscle disease (ALS), they began to create music virtually between Cornwall (UK) and Plovdiv (Bulgaria).

South Carolina-born artist Steve Ray Ladson, known for his authentic storytelling and genre-blending sound, is set to release the single “Back of My Truck,” on August 22nd, 2024. The new country-trap anthem, infused with hip-hop beats, notes of bluegrass, and the country music theme of yes, Steve Ray’s Ford F-150 pickup truck, is a boot-stomping track that showcases Ladson’s vast musical influences growing up in the South.

Multi-talented singer, songwriter, and artist Kat Von D has released her newest single, “Truth in Reverse,” on all streaming platforms along with a music video on YouTube. Her upcoming new album, My Side of the Mountain, will include the track, which drops September 20th. “Truth in Reverse” was penned by Kat Von D in collaboration with notable songwriter Ferras (Katy Perry, Dua Lipa, Chainsmokers, etc). Kat’s signature blend of disco goth, heavily influenced by synthwave, goth, new wave, post-punk, and other iconic electronic sounds of the 80s, sets her music apart.

Tidal Water is a dynamic band blending the rich heritage of rock with the spirited rhythms from ’60s until now, with elements of funk, punk, blues, rock and hints of jazz. Our debut album, Polarity, offers a musical odyssey from introspective ballads to explosive punkish anthems, tackling societal issues across a tapestry of sound that echoes six decades of musical evolution.

Award-winning singer-songwriter Jeremy Dion is a licensed therapist by day who offers toe-tapping folk therapy by night. With soaring harmonies and technical riffs reminiscent of Noah Kahan or John Mayer, Jeremy has brought his musical optimism to stages ranging from the Boulder Theater to Edinburgh’s famed Fringe Festival. So whether you’re feeling up, down or just want a night on the town, Jeremy’s heart-opening words will leave you feeling connected, hopeful, and humming a tune — no couch required.

A walking bass & head-nodding beat, drives “All My Life” along nicely with a chugging guitar supporting the vocals. This rocking track then ratchets it up a notch into a surprising chorus. An infatuation between the protagonist and the love interest leaves the listener in no doubt of the love felt, but it is never revealed if the love is reciprocated. “All My Life” is the first single of 2024 from writer/producer/performer and multi-instrumentalist Danny Watts aka Downtown Patriots.

Hailing from the West Midlands, Little Juke is more than just a band; they are a vibrant collective of talented musicians who have come together through various musical projects and mutual friends. Their unique journey has led them to create a sound that is both soaring and cinematic, captivating audiences wherever they perform.

Woods Of Light is the stage name and primary artistic outlet of singer-songwriter and multi-instrumentalist Brian Gunther, based in the Ottawa, Canada area. Brian writes, arranges, produces, records, and mixes all of his music in his home recording studio. Woods Of Light’s music is rooted in a diverse, acoustically-driven indie/folk sound. His debut album, Newcastle Park, is an intensely autobiographical and nostalgic concept album evoking memories of youth in the 1990s, delving into themes of family and friendships, and detailing the bittersweet transition into adulthood.

Blueprint Tokyo has released EPs and singles to enthusiastic critical acclaim, touring and playing festivals across the US, as well as appearing on TV. With a varied catalogue of music, the pair are happiest exploring and experimenting, which they do with a Brian Wilson-esque panache that the listener is never quite prepared for, but which always lands on two feet.

After recasting the blues and its rock and roll offspring in the image of the brilliantly wrecked American psyche on the game-changing Dealey Plaza Blues that arrived with a heat shimmer intensity last summer, Mortal Prophets’ John Beckmann, ever restless, ever prolific, is back with ICNCLST a 7-song EP of sinuously psychedelic, rock-tinged pop that, while arriving in late August, bears all the traits of a late- summer classic.

Beauty In Chaos was formed in 2018 by guitarist Michael Ciravolo (formerly of Human Drama and Gene Loves Jezebel and currently President of Schecter Guitars) with Grammy nominated producer Michael Rozon (Ministry) as a revolving evolving sonic entity. To date, BIC has involved numerous luminaries from The Cure, Ministry, Cheap Trick, The Offspring, Gene Loves Jezebel, Marilyn Manson, Human Drama, Bauhaus, Nine Inch Nails, Van Halen, A Flock of Seagulls, dUg Pinnick (Kings X), ICE-T, guitar icon Zakk Wylde, Rolan Bolan, among others.

Yon Idy is a rising artist based in Europe. Ghosts is his debut full-length album culminating the first phase of his career. Ghosts spans from light indie pop like the national Eurovision final song “Dreams” to grittier darker rock like “Going Down”, which is featured on Discover Weekly.

Infinitefreefall is an experimental pop project from Charleston, South Carolina. This long-running outlet for frontman/producer Maxton Stenstrom resists easy classification, fashioning a vast array of influences into a kaleidoscopic wall of sound with hooky and arresting songwriting, morphing and contorting its vision at emotional whim.

Portland’s iconic outfit Federale presents their latest single ‘The Worst Thing I Ever Did Was Ever Loving You’ feat. Jenny Don’t, a song cast in the mold of the storied duets of Lee Hazlewood & Nancy Sinatra. This superb duet is from Federale’s sixth studio album Reverb & Seduction, newly released via Jealous Butcher Records. Led by Collin Hegna, a long-standing member of The Brian Jonestown Massacre, this record marks the band’s 20th anniversary.