The arrival of ‘Fate Euphoric’ marks a transformative moment for twen, an album that feels less like a traditional collection of songs and more like a high-velocity journey through the psychic landscapes of modern independence. Jane Fitzsimmons and Ian Jones, the primary architects of this sonic world, have crafted a record that vibrates with a restless, kinetic energy. It is an exploration of the ecstatic tension between chaos and control, a theme that permeates every crystalline guitar riff and soaring vocal melody. By leaning into a production style that feels both expansive and intimately lived-in, the duo has managed to capture the ephemeral feeling of a moment suspended in time.
The record initiates its ascent with “Tapdance In Limbo,” a track that serves as a manifesto for the uncertain. It establishes a rhythmic playfulness that belies its underlying philosophical weight, suggesting that movement itself is the only antidote to stagnation. This sense of divine confidence carries over into “Godlike,” where Fitzsimmons’ vocals reach a shimmering peak, asserting a sense of self-actualization that feels hard-won. On this track, the addition of Asher Horton on guitar provides a searing layer of texture, while the propulsive, locked-in percussion of Forrest Raup on drums provides a foundation of absolute stability.
As the album progresses, “Tumbleweed” introduces a more nomadic, dusty texture to the palette, grounding the ethereal heights of the previous tracks in something more terrestrial and grit-flecked. This leads naturally into “Chase You,” a propulsion-heavy anthem that captures the frantic, beautiful pursuit of an ideal that remains just out of reach. The songwriting shines here, balancing hook-driven accessibility with a structural complexity that rewards deep listening.
One of the most intriguing moments arrives with “Prelude To Waterloo,” a transitional piece that acts as a structural pivot point for the album. It clears the air for “Keep Your Company,” a song radiating a warm, communal glow that highlights the band’s ability to pivot from cosmic exploration to heartfelt intimacy without losing their signature edge. This is followed by the lurid energy of “Allnighter,” where Horton’s guitar work returns to inject a jagged, electric vitality into the delirium of the late-to-early hours.
The final act of the record delves into the core of the band’s philosophy. “The Center” acts as a gravitational anchor, drawing the various sonic threads together into a focused, rhythmic pulse anchored by Raup’s masterful kit work. It sets the stage for “Starmaker,” a track that feels like a cinematic expansion of the twen sound, reaching toward something truly interstellar.
Finally, ‘Fate Euphoric,’ closes the experience by reconciling the album’s disparate themes. With Horton’s final guitar contributions weaving through the mix, the song suggests that destiny is not a fixed point to be reached, but a state of being to be inhabited, a joyful acceptance of the unknown. Fitzsimmons and Jones have not just made a record; they have built a sanctuary for the restless spirit. ‘Fate Euphoric’ stands as a testament to the power of creative autonomy, offering a vision of the future that is as bright as it is unpredictable.
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