If “Banks of Marble” was a song infused with social commentary and discussions around class and inequality, Paul Cafcae’s new one, “The Rider,” is a more straightforward affair. Taken together, these two singles say something fundamental about Paul’s musical scope. On the one hand, he recognizes the power of the platform he has to communicate something meaningful through his music and shows that he isn’t afraid to use it. On the other, he also understands that sometimes all people want is a well-penned, heart-warming love ballad. This one is for them.
“The Rider” is a song about escapism, about the lightness and freedom of being on the road but, most importantly, being on the road that leads you back to the one you love. It is old-school and romantic, poetic and poised, both lyrically and musically.
His words echo the sound and style of country crooners, who have been singing such sweet and simple sentiments for decades. The music feels like a more poised and polished version of a 50s rock and roll ballad. It is an echo of the past, perhaps, but also a taste of Paul’s ability to keep such sounds relevant for a modern and more discerning audience.
Guitars twang, chords resonate, notes float on the dusty night air, and his warm and welcoming voice is imbued with all the passion and poise needed to breathe new life into the form.
It is another great song and another side to Paul Cafcae revealed. Glorious!
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