Rebecca Aadland’s new album, Stronger Broken, is an eclectic collection of original songs, bridging styles of folk, rock and blues. Her resonant and beautiful vocals infuse this record, which is the culmination of six years in the studio with some of Minnesota’s finest musicians. Stronger Broken was released fifteen years after her debut record. Her lyrics are soulful, sometimes humorous, with themes of getting unstuck, finding love, and wrestling with life’s hardships.

Inspired by the northwest hills of NJ in the shadow of the Appalachian Ridge, Water Street creates a new version of Americana, mixing soulful acoustic melodies with rugged rock and roll bursts, a driving rhythm section with some hints of funk which combine to create a uniquely new, Pop/Americana/Roots sound.

Lounna is the indie-folk project by Pittsburgh songwriter and producer Brenna Slate. Inspired by modern artists that range from Bear’s Den to Gregory Alan Isakov to boygenius, Slate’s songwriting combines elements of indie, folk, alternative, and americana genres that shift from soft sonic scapes to indie rock ballads.

The album was motivated by the tumultuous times we’ve experienced (both globally and here in the US) over the past few years: upheavals in politics, the world economy, public health, the sciences, and culture in general. Of course these are my own impressions and interpretations, and I tend to cast a jaundiced eye on things generally, so satire, sarcasm, dark humor, and irony pop up throughout. We’ve all been through a lot and everyone has their coping mechanism – mine is writing songs.

Michael Figueroa is carving out his own unique space in the indie music scene, and he’s doing it with a refreshing honesty that’s hard to overlook. Embracing his real name, Figueroa steps into the spotlight with a sense of authenticity that feels both personal and relatable. His sound is a heartfelt tribute to the indie boom of the early 2010s, drawing inspiration from artists like Toro y Moi, Mac DeMarco, and *Bahamas*—who have shaped the sonic landscape he navigates

Saxophonist Miguel Zenon embarks on his most ambitious project yet on his latest album Golden City: no less than a tribute to the city of San Francisco.

American singer-songwriter JC Miller has announced his next single ‘Blackberry Canes’, to be released on September 20 via Tilt Records. Once again, this true-grit storyteller engages us in a captivating journey that blends time and nature within the American landscape.

Portuguese indie pop visionary Tsunamiz has released ‘Dreamz’, the fourth single taken from his highly anticipated seventh studio album Behold the Man.“Dreamz” merges contemporary electro pop and alternative pop with slices of vintage post-punk and is highlighted by pulsating synths, vivid drums, slicing guitars, and an eloquently moody vocal performance. The DIY ethic of Tsunamiz is evident in “Dreamz” with the musician composing and producing his music.

“Indian Summer” is raucous, lo-fi, & bathed in nostalgia. An Indian summer is an extended one that lasts into autumn, which the singer is pining for along with a youthful romance. With Indian Summer we see Spouses moving away from the intimate folk of their previous release “California Wine” and into lo-fi alternative rock more akin to The Strokes or Elephant 6 Collective.

Exploring the endless expanses of cumbia, North African, and Middle Eastern music, the guitarist has increasingly brought his own personality to these traditions, creating a lively interplay between distant modes and rhythms and his own New Orleans-steeped sound. While Brian J’s an accomplished vocalist and bandleader (Cedric Burnside, Corey Henry, Pimps Of Joytime, etc), the Gitkin project has always been a space to delve into wordless, instrumental moods and melodies, and this latest iteration has taken that homegrown, yet far-reaching sound to its next level.

Saxophonist Ivo Perelman continues his attempt to be the world’s most prolific free improviser with three new albums that continue established series, both putting the free jazz master in pairs with like-minded colleagues.

Canning, having been brought up in and out of the Chicago rock scene, has endured to keep true to its roots of authenticity, diversity and individuality. For the listener, a true connection can be made by experiencing the depths and devotion found within the assault or the gentle caress of a live show. Canning deems to explore their music and portray a song in its rightful place, at least for that given moment. Throughout the years, many times Canning does not play the song, moreover, with the elasticity of time…the song will play them.

‘Burn It Down,’ their 5th single, is a perfect summary of what King’s Vengeance is all about! Loud, fast, driving, high-energy rock, with unpredictable changes. It is a glimpse into their musical style and energy that the audience are hit with at each and every show! The track is a six-minute, 25-second burst of loud, fast, and driving classic rock. The song captures the band’s raw, unpredictable energy and exemplifies their intense, spirited style, making it a must-listen for rock enthusiasts.

Armed with blistering riffs, infectious melodies and soaring choruses, Poison Oak create a truly anthemic brand of music. Since their inception in 2019, the band has released three EPs and a debut album called These Suburban Dreams. They have landed themselves in well-known music publications across the globe, including Vents, Happy Mag, Scenestr, Hysteria Mag and AMNplify. Their music has garnered positive reviews from Triple J and have been aired on radio stations from every corner of the globe.

Indie Folk Rock examination of the aging process through an old black suit once used for celebrations is now repurposed for funerals. Inspired after the loss of 4 friends in as many weeks. The explosive instrumental parts are the culmination of all the unchecked emotions when grief and loss are fresh.

Dan Cook is an indie rock musician with a knack for crafting irresistibly catchy songs that linger in your mind long after the last note fades. Hailing from Stockton-on-Tees, Dan is blending infectious melodies with lyrics that resonate on a deeply personal level. His sound is a fusion of classic rock influences and modern indie sensibilities, creating tracks that feel both timeless and fresh.

Spirit Gun is a razor-sharp rock n’ roll band based in Norfolk, Virginia. The trio’s trademark sound showcases an intense blend of punk-like fury and melody-drenched grooves, combined with dashes of soul music, creating a sonic journey that keeps audiences captivated everywhere they play.

A lone, menacing guitar claws and scrapes as Hendrix sings a melancholy internal dialogue of survival. This sonic theater of monsters and midnights reminds us of the joy of life by focusing on the horror surrounding us. Heavily inspired by 80’s new wave guitar alt pop like the Smiths and REM.

““paint me how you see me” is a little punk rock n’ folk anthem about a life long friend. this is the fourth track off upcoming album “just another sunflower, searching for the sun.” I always wanted to capture all of my life experiences in one body of work, to be as real and honest as i could, and to paint a wide landscape of what it meant to be alive during a period of time.”

Emerging alternative rock band Oceanless released their highly anticipated single “Jaded” on September 6th, 2024. The track, which tackles the harsh realities of the grassroots music scene and the pervasive greed of major record labels, is poised to make a significant impact on both fans and critics alike. “Jaded” is a raw and powerful anthem that resonates with anyone who has witnessed or experienced the struggles of independent artists. With its evocative lyrics and driving instrumentals, the song captures the frustration and disillusionment that often accompanies the pursuit of success in an industry dominated by corporate interests.

Gary Van Miert is a singer, songwriter, musician and all-around entertainer who specializes in American Roots Music. He has his own unique interpretation of traditional American music: classic Country tunes from the fifties and sixties, and time-honored Blues numbers that go back to the greats hailing from Mississippi and Chicago.

We all know that feeling of constantly chasing behind the cart, like there just aren’t enough hours in the day to get everything done that we need to. Luckily, Names Without Numbers know the feeling too. In fact, as we hear on the Omaha, Nebraska quartet’s new single “Ping Pong Ball in a Concrete Room,” they know the feeling all too well.

Go Betty Go’s Black & Blue EP, via Wiretap Records out on September 13. The EP features six tracks, including two newly recorded live-show fan favorites from early in the band’s career. Black & Blue was produced by Davey Warsop (The Used, Face to Face, Chuck Ragan, Matt Skiba). Go Betty Go’s music is driven by Betty Cisneros’ guitar, Nicolette Vilar’s vocals, Michelle Rangel’s bass, and Aixa Vilar’s drums.

“Chapter & Verse” sees Deadlight Dance return to writing original songs, following on from March’s ambitious “The Wiltshire Gothic” project. Almost a year to the day since the band’s critically acclaimed debut album “…Beyond Reverence” was released. It also sees a return to the full band sound that the duo make.

December Friend was born out of the pandemic when Joel Leviton reached out to friends Jeff Victor (Minneapolis musician, composer, and producer) and John Wlaysewski (of Brooklyn-based band Late Cambrian) asking if they wanted to collaborate on a new project. Thankfully, they said yes. All songs for December Friend’s initial album, Splendor Never Dies, were recorded remotely in home studios in Minneapolis and Brooklyn during the pandemic. They followed the same formula for December Friend’s latest release, In a Warmer Way, recording songs written by Joel Leviton at home studios in Minneapolis and Brooklyn.

Despite coming from an era where his preferred milieu was so cheesy it should have been surrounded by mousetraps, Stern’s career has endured.

The GET is a New Orleans-based electro-folk trio founded by singer-songwriter and guitarist George Elizondo. The band is also comprised of Chris Beroes-Haigis (cello, FX) and Violeta Del Rio (vocals, keyboards, drum machine, FX). Together they produce the songs and the band incorporates folktronica, art rock, and post-punk elements combining acoustic instruments with an electronic palette of sounds.

Dallas Orbiter is a long-running Minneapolis-based rock quartet exploring the cusp between sophisticated pop songwriting and modern, spaced-out psychedelia. The group began with long Krautrock and electric Miles Davis-inspired space jam sessions in the late 90s/early 2000s in the process of refining an ensemble sound. The band released 3 full-length albums and 2 EPs between 2000 & 2008, along with an online-only monthly singles project in 2011.

Vernons Future are an indie band from Oxford/London with a distinctive twist on the poppier end of the indie spectrum. VF were born as The Vernons in Liverpool back in the 80’s, played hundreds of gigs and released debut album Smithdown Road on Probe Plus at the start of 1990. Then promptly split. VF reformed in 2015 and recent singles have picked up plays on the BBC, across the UK and around the world.

Noble Jonson is a Belfast based singer, musician, and songwriter who stands out for his old-school approach to making music, creating songs that are exciting and free whilst prioritizing authenticity – real musicians playing in a room together on analog equipment. His sound digs deeper into a melting pot of different musical tastes and interests, going for a one-of-a-kind vibe.

This song perfectly merges the erratic guitar sounds of shoegaze/dreampop, tight beats of new wave and post-punk with catchy hooks of pop rock. The chorus will be spinning in listeners heads for a while.

The new album from The Winter Sounds, Bedazzled, but not Forgotten will be released 11 October 2024 on Kitty Kant Collective and will be Patrick Keenan’s 6th full-length LP released under the moniker The Winter Sounds. The singles “Cottagecore” and “Not Everything is a Song” will come out September 5 and October 2, respectively.

Mountains moves from hard bop to postbop to avant-big band and back again, showing off the musicians’ prowess without losing sight of the tune.

If you’re a fan of the dynamic sounds of Jelly Roll, HARDY, and the early releases from Kelly Clarkson and P!nk, you will want to hear about WHIT (formerly Whitney Miller)! On September 6th, WHIT dropped her highly anticipated debut self-titled EP, including her previously released singles “Black and Blue” and “Ready Or Not.”

In co-creation with Nixi Music, Michael Beck is now releasing the song “Anymore”, featuring his friend and musical colleague Steven Walters, with the words and music by David M. Bailey. It is a beautiful song and message about the opportunities of teachings received from adversities in life, including ideas around faith and believing in God, and how the different experiences can teach us about slowing down, and enjoying life as sacred beings on this earth

Singer/ songwriter, Shaun Lewis, presents songs he has written and recorded and they are made available publicly on platforms for the first time. Existing material will be shared as a trilogy of EPs with SL EP1 released in July 2024, SL EP2 will be released 23 August 2024, and final EP, SL EP3 release date will be announced in due course. New recording and live dates TBC.

Myles from Home is known for a highly energetic and entertaining live show that “gets almost festival rhythms going right away”, even when in a club. Another review simply claims “Oh yeah, these guys are epic!” Catch them touring around Canada building up to their debut album in 2025.

Nick Stone is an indie rock artist with a soulful twist, blending folk and indie rock with a hint of western charm. Hailing from Kelowna, BC and now making waves in Vancouver, Nick has played remarkable shows and recorded an impressive catalog of music. Inspired by rock and roll legends, classic country and folk artists, and the sweet harmonies of 50s and 60s doo-wop, his music transcends genres, resonating deeply with listeners.

The first single to be released from the forthcoming second Citizens of Yeah album features angular guitars and melodic bass. A song about wolves written in the context of rising cost of living and dissatisfaction in the UK. This isn’t a fairy tale.

HATS™ is a chameleon. Crafting dreamy soundscapes for weary souls. A bittersweet chorus of vocals slice through strange synthy songstories to weave blankets of sound for your soul. Their musical roots go back to their initial band, Vienna Ditto, where they sang bluesy riffs over rockabilly guitar. They’ve grown up now and branched out alone. Inspired by ANOHNI, Radiohead, and Kate Bush, HATS™ is unfurling leaves of musical tenderness, escalating tension and genre shapeshifting.

This acoustic track features layered guitars, vocals, and soundscapes inspired by early Bon Iver. A ‘cant’ refers to hypocritical, sanctimonious talk, and this song addresses the rhetoric of imposter syndrome and the negativity a creative experiences when they feel they just aren’t “making it” according to others’ standards. It reflects the mindset of someone on the brink of giving up, yet unable to do so

Industrial-inspired alternative metal with a touch of Björk’s soft and angelic vocals telling the story of a Middle Eastern young woman trying to find her place in society and breaking down over and over again. Recorded at City and Goldsmiths Universities, produced by Bernadette Lara, mixed by Onur Erdem Ünal (aka. knee), mastered by Stephen Kerrison (DITZ, Liz Lawrence) , distributed by the state51 Conspiracy; this maximalist and industrial fury by Carrie Abyss feels like a final boss fight of a feminist-revenge video game. Dreamy synths, heavy guitars, and layered vocals.

Dear Mr. Hill doesn’t showcase a gifted mimic – Wilcox is his own person.

“After my last album Tiny Injuries was released in 2023, I could feel myself slowly emerging from the dark cave of grief. Some days I would feel more positive and excited about things, but then other days I would take ten steps back and be right back there. I desperately want to change, to feel okay, and there is also a side of me that wants to hold onto the sadness. Sometimes holding onto the sadness of loss is the only thing that keeps that person around, and I struggle with the fear of forgetting them. All the songs on _Good Times for a Change”_feel like meditations on being somewhere in between the willingness to let go, and the desire to hold on… a time capsule of the internal dialogue I have with myself everyday.”

The Hill is an Americana style music project founded upon the songs of Jon Kowit, a former record store employee and indie record label owner, now sharing his music for the first time. Jon had written music for decades, but never played them for anyone.

Jared McCloud’s natural, earthy tone and thought-provoking lyrics showcase his talent and ability to draw audiences into his story. Starting his musical career in “Hard Rock/Metal” bands, Jared honed his notable guitar ability, quickly setting himself apart from other acts.

“When The Radio Plays” is the second single from new indie pop duo, Shapes Like People. The jangly disco track showcases the poppier side of this fledgling band, nicely contrasting first single, “Fireworks”, and adding breadth to the must-listen full LP in the works.

“Selah” is the second single to be released from Osiris Lights upcoming EP TRIPTYCH. Acting as a second part of the puzzle, ‘Selah’ shows a different aspect to the band as they delve into a more pop sound, highlighting a softer, more beautiful and introspective side to the band’s music.

With an abundance of charisma and hooks, and a beautiful flow from beginning to end, Sonic Ranch makes a strong case as the best album of Austin, TX alternative rock trio Fastball’s long and distinguished career.