Euplasia is a Nottingham-based independent artist, songwriter and NHS doctor creating emotionally driven indie pop/rock that balances melodic hooks with honest, real-world storytelling.
Return to 1990 with this saucy slice of Bay Area-meets-Tampa hip-hop (and funk and jazz) that wound its way into mainstream ears through sheer catchiness.
This Alton, IL-born, Denton, TX-based, ex-Moon Festival singer/guitarist has been busy, following up 2022’s Marty Willson-Piper co-produced A Nuclear Winter with these ninth and tenth LPs, recorded with songwriting friend Billy Harvey.
Lurcher’s second EP Bad Gag delivers on the promise of their debut With Love.
“Since Emilia” is the 4th single from “Nu York” Neo-Grunge & Punk band YACOVELLI, fronted by longtime underground veteran Alex Yacovelli.
Forgotten Garden are a Scottish-Portuguese Indie band
Leyla Romanova is a multigenre composer whose work spans nearly the entire musical spectrum — from the grandeur of the symphony orchestra to innovative electronic soundscapes and intimate pop-jazz inflections.
Alt rock artist e.lissa releases “Just Might,” a Pride Month anthem about self-discovery
“Say, I” is the new video/single from Scarlet Ayliz
With Cotton Mather on ice, Robert Harrison returns to Future Clouds & Radar for Big Weather, the combo’s first album since 2008.
The third album from this Woody Allen Sleeper robot-named Mount Airy, NC trio compiles two recent six-song EPs, 2024’s Ghost From Your Past and 2025’s Blue to Infinity.
Like they did on 2023’s Strange Empires, this Portland five-piece combine buoyant, shimmering dreampop with noisier forays into speedy, fermenting indie rock on their second full-length.
The American Boys (The Ballad of Frank Gusenberg and the St Valentine’s Day Massacre) is the latest single from David Omlor.
Artists like BLOCK don’t come along that often. When they do, they act as a sort of benchmark, a backdrop that can bring into sharp focus the fact that most music in the modern age is unadventurous, happy to follow the pack, do more of the same, be, well, whatever the opposite of unique is.
These four are all old friends who interact musically the way siblings do whenever they get together, no matter how long it’s been since the last time.
Tom Tikka teams up with Nolen Chew Jr. of The Star Prairie Project for a killer slice of Americana, Runaway Baby
Spinors is an Alternative Rock band with a Steampunk aesthetic based in London, United Kingdom, founded by Sergie Code, its singer and guitarist.
Tiger Adopt is the studio project of London-based composer, multi-instrumentalist, and singer Sam Bishop
Post-punk desert lullabies and sonic anthems for the downtrodden.
‘La Encantadora Furiosa’ (“the furious enchantress”), is the second release from The SPKtR in 2026,
‘Carousel’ acknowledges the disquiet of existing in a world where personal expression is constantly mediated and quantified, yet it insists on the value of sincerity as a counterforce. The album’s rotating cast of voices and textures becomes a metaphor for this belief, suggesting that meaning is not something to be secured in isolation but something that takes shape through shared experience, however fragile that process may be.
Many records aspire to timelessness by stripping away contemporary markers. ‘Adormidera’ reaches something more profound. It does not sound detached from time; it sounds adjacent to it, as though these songs had been quietly waiting for the precise conditions under which Foster and Herrero could finally give them voice.
What lingers most after ‘Thresholds’ concludes is its refusal to offer interpretive certainty. Anderson does not guide the listener toward resolution or conceptual clarity. Instead, he constructs environments in which memory, decay, natural force, and subconscious imagery circulate freely, colliding in unpredictable forms.
Poignant, direct lyrics such as “I don’t want to live forever. I want to live right now, I want to live today.” With the understanding of Peter’s struggle with cancer, this may sound haunting, but the takeaway can be an uplifting message. The spirit of Mike Peters within Transformation remains strong, but longtime fans may feel a tremendous sense of loss, because this remains The Alarm’s final record.
NINA and Radio Wolf enter night vision with ‘To See You’ — a nocturnal collision of haunting vocals, soaring guitars, synth textures and cinematic atmosphere.
“Dissolution” is the latest single from Atlanta-based musician Matare.
Irish collective AINM return with their new single “Darlin’”, a track that unfolds into something expansive, intimate and deeply atmospheric
Ahead of a full album of reimagined Chopin Preludes, Ben Aubergine gives us a taste with a new take on Prelude in E Minor
Amateur Ornithologist share their new album, The Haunted Life of Architecture.
Having enjoyed this NJ electro pop virtuoso’s two “hypnotic, ear-tickling” releases as Textbook Maneuver, 2025’s Adrenaline Slip and 2024’s Strike Joy EP, it was no surprise this neo-classical piano LP under his own name would also delight.
“Digitally Modified,” the new single from Co.LeGa, is out now.
Less dense than Lovano’s nineties combos, but also less ethereal than his recent work leading Trio Tapestry, Paramount Quartet trims the fat and works the muscle of its bop-based modern jazz.
Wooden Overcoat’s debut EP turns lo-fi psych, shoegaze haze, and basement-recorded warmth into something bright, uneasy, and quietly haunted.
The last musical testament from Mike Peters and Welsh rockers The Alarm is everything you’d expect from a man that lived life with full-throttle passion. It’s an autobiographic aural blitz on steroids. Just as big as his personality, ”Transformation” is also a lyrical diary encapsulating everything important to him as he went through harrowing treatments to fight his blood cancer. Though he died suddenly in April 2025, stunning family and fans worldwide, his final album released May 29, 2026 – one year to the day from his funeral in Wales – has its own eternal beating heart.
On this prolific Dutch guitarist’s fourth solo LP, following 2021’s The Beginning and Everything Before, he’s joined by formidable drummer Joost Kroon; together they bang out colossal, turbocharged guitar rock.
The California guitarist takes a page from the book of musician/composers like William Tyler and Hayden Pedigo, delivering acoustic guitar-centered instrumentals with a cinematic bent.
Jacqui Hunt’s “Cycles” strips her electronic and dream pop history down to piano, voice, and grief, turning repetition into the song’s quiet emotional force.
Since forming in 1996, these Albany, NY sleaze-rock miscreants haven’t rested; Just What the Devil Ordered is their 14th full-length, to go with three EPs and a 40-song 2017 best-of, 20 Years of Nothing to Show For It.
The Sunday Shamans is a psychedelic band from London. “Where You Begin” is their latest single.
Yolanda is the debut album of Oxford, UK artist Emma Hunter.
PNW Shoegazers, Waves Crashing, drop their latest album, In The Blur.
Boston’s arcane, slime mold-monikered, one-man Physarum faithfully drops two more of his succinct, 10-song, weirdly-titled, GBV producer Todd Tobias-mastered, amber-colored with flora/fauna artwork LPs — his 21st and 22nd since November 2020.
GUIDES have released their powerful new single “DRAIN”, marking the beginning of a bold new chapter for the group
Tabitha Zu’s debut single “Heard It Before” has finally landed in the land of the digital — marking a new chapter in the band’s long-overdue digital revival.
South London/Dartford band The Early Swerve return with Father of the Chapel, a narrativedriven single rooted in British character, loyalty, and fracture.
Southern Californian band seeTrees is back with their latest song, “Easy Times.”
