
I don’t want to have to wait another 20 years to see them again!

Steven Stapleton will cure you, and the method involves mutated jazz beats and a petrol-sodden rag.

KING KHAN AND THE SHRINES were just pure, animalistic, rocking garage punk fun!

Using a combination of the original session tapes, demos, and newly recorded parts, near the end of last year the band put out a version conforming to their own sound rather than their producers’. Three decades on, the classic underneath the bad production has been revealed, proving that the excitement they generated in their home base of Los Angeles was not mere hype.

It started raining during JAY REATARD’s set, but it didn’t matter. In fact, it might have even made it that much more intense.

Despite being absent for “Bring the Noise”, FLAVOR FLAV emerged right before they were set to perform “Don’t Believe the Hype”.

Boris and Torche leave a pile of rubble and tattered eardrums.
Levin, a grizzled veteran by now, has come to a distinctive style that, while certainly inspired by his predecessors’ work, is never obviously derivative of anyone in particular. Nor does it stand in one place; Levin is just as likely to play a melodic phrase as to unleash flying flurries of evolving patterns arpeggiated and/or scalar or soar into the altissimo register of his tenor in ecstatic exultation.

I never got to see BAD BRAINS or D.O.A. in their prime, but this must be similar.

Playing all of Daydream Nation last year must have really sunk in as SONIC YOUTH played nearly a third of that amazing record.

The day the nerds won.

After DEVO got the ubiquitous “Whip It” out of the way early on, then we really got the good stuff.

Polvo shake off the dust and return to form.

VERSUS was a reminder that the marriage of distortion and noise with super sweet melodies and quiet/loud dynamics will never go out of style.
With a little searching and a lot of luck, I found some bands on MySpace that not only fixed my metal jones, but also allow their songs to be downloaded.