James Broscheid first appeared in The Big Takeover as a contributor to issue 66 with a feature on one of his favorite bands, For Against. He is known to travel obscene distances to see bands play live if they do not come to him. Relishing in the people he has met and the places he has seen, music has been a passion to him since memory started. He currently resides on the western slope of the Rocky Mountains in Colorado with his wife Alice Broscheid, son Elliott, named after Elliott Smith, and daughter Abigail, named after her mother’s favorite Beatles record, Abbey Road.
“Melodically it occasionally sits somewhere between a horror film score and funk. Concurrently there’s also some sensuous guitar. An odd pairing but it works.” – Albert Wolski
“I take time between releases because that’s how long it takes me to write and record – about 3 or 4 months per song. Also, there is so much music out there, I don’t think we need a new release from me every year!” – Chris Cohen
“There have been several waves of people moving away to LA, etc. because they get evicted or simply can’t afford to stay anymore. We love San Francisco so much and even though it’s changing every year, we don’t want to give up on it as it still has a scene of very talented artists and musicians. We are just waiting for this bubble to burst, at least a little bit but, sadly this is happening everywhere right now in different ways, so all we can do is adapt and keep doing what we do.” – Galine Tumasyan
“Anybody that spends a few hours a day playing an instrument for a few years can shred, but to really convey emotion with a simple part that gets stuck in your head, that takes a great ear and instinct.” – Chris King
“It feels extremely relevant considering the political climate we’re in right now,” states Lauren Matsui on choosing to cover “French Disko” by Stereolab.
“There’s sadness in everything but there is also hope everywhere you look. It’s similar to how we connect the dark aspects of life with the beauty of art and music. I’m not sure if you can even really have one without the other.” – Cole Browning
“My first true punk concert was the UK Subs who came to Lowestoft in 1980. Then I saw The Damned a bunch of times from 1980 to ’82. It was just a magical time and I am so glad I grew up when I did. I don’t think kids today get that feeling from music but I hope I’m wrong.” – Dave Hawes
“We definitely don’t see ourselves as a shoegaze or a grunge band, I find those tags to be fairly meaningless, especially as those specific genres were more scenes from a time and place rather than a sonically defined music style, but we understand why we can be labelled as that.” – David Noonan
“Whether or not my feelings or emotions are properly translated, I always hope we can evoke some sort of feeling or reaction from our listeners (even if it’s pure hatred).” – Bria Salmena
“We like Spanish, we like that we can express ourselves in different ways and have a broad language to say it. Sometimes it bothers us that simply by singing in Spanish we reach this stereotype that we do not like; “Latin alternative music”. There is no such thing, it’s just music.” – Estrella Sanchez
“The biggest struggle for me still seems to be convincing the average sound engineer that we are a rock band, not a vocal ensemble.” – Courtney Gavin
“One thing I can’t stand is when people describe music made by women as a consequence of their presumably limited skill and not as the outcome of deliberate artistic choices.” – Sydney Koke
“For some reason it can’t be explained, how to write a melancholic song – but if you write one, there is always a certain beauty, a pureness in it and the listener knows and feels, there is something very true about it. Really, a beautiful song has to be melancholic in some way, like a beautiful story always feels nostalgic too, in some way.” – Markus Nikolaus
“The album title is more or less related to the problems we had, we wanted to face them positively because they were directly affecting our daily life.” – Jazz Rodríguez Bueno on MOURN’s latest LP, ‘Ha, Ha, He.’
“Knowing there are so many hardworking people in every DIY scene makes me grateful for all the opportunities that are handed to me.” – Melina Duterte
“I used to think that my impulse to write songs matched the very same need to write poetry or stories when I was younger. A sort of longing to abstract and simplify the disorder of emotion I felt inside.” – Charlie Hilton
“We wanted to be like all our favourite bands but they were so diverse that ultimately you just end up sounding like yourself, which is how it should be.” – Gary Mundy
“I’ll be damned if such a one-sided overly simplistic representation of music from this land is all the world comes to know.” – A.J. Haynes
“The songs represent an inward reflection more so than an outward one. What it feels like to live in society but not an analysis of society itself.” – Andrew Kerr
“It’s interesting to me that as a woman in a male-dominated industry, we are congratulated when we show ‘masculine’ characteristics, but often chagrined for being ‘girly.’” – Esmé Patterson
“Writing songs has always been a cathartic experience for me. It’s a way of processing my life in a way that is not self-destructive.” – Zach Rogue
Complete interview with Carlotta Cosials of Hinds used for the short take in Big Takeover #77.