For Element of Light, his fifth album and first for the legendary label Candid, he brings it all together into one direction.

Brendan Forrest, the Chicago-born musician formerly known as B Forrest8, who now calls the *Colorado Rockies home, released his debut bluegrass EP, Daydreaming Music Fiend, at the end of September. While rooted in traditional bluegrass, this record subtly weaves in Forrest’s diverse musical background, from his Chicago blues roots to his journeys across continents. The EP marks a significant shift for Forrest, showcasing his embrace of acoustic string band music while retaining traces of his self-described “grit soul” style.

First making his name with the folk-oriented, semi-acoustic sound of 1985’s Post, Paul Kelly enjoyed a major breakthrough with 1987’s Gossip, which was centered around his smart, full-bodied pop melodies and literate but unpretentious storytelling. 1994’s Wanted Man found Kelly digging deeper into more personal themes as his music gained more bite while still remaining tuneful

NYC indie rock outfit Crash Harmony presents ‘Orange Background’, the second taste of the band’s debut record No One Asked For This’. Slated for release via Magic Door Record Label after a 30+ year hiatus, the quartet are back with a full-length album of 10 songs, for which they worked with celebrated producer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Recording in Montclair, NJ. Earlier, the band released the lead track ‘Velour Goddess’.

December Friend was born out of the pandemic when Joel Leviton reached out to friends Jeff Victor (Minneapolis musician, composer, and producer) and John Wlaysewski (of Brooklyn-based band Late Cambrian) asking if they wanted to collaborate on a new project. Thankfully, they said yes. All songs for December Friend’s initial album, Splendor Never Dies, were recorded remotely in home studios in Minneapolis and Brooklyn during the pandemic. They followed the same formula for December Friend’s latest release, In a Warmer Way, recording songs written by Joel Leviton at home studios in Minneapolis and Brooklyn.

The Sound of Mountains album is a testament to Christopher Morin’s musical prowess and creative vision. Recorded between his home studio and Black n Gold studios in Whittier, CA, the album aims to create a space for reflection, introspection, and emotional resonance. With standout tracks like “Stretch Out Your Hand” and “Familiar Locations,” the album strikes a balance between serene, cinematic sounds and electrifying post-rock compositions, offering listeners a sonic journey that transcends boundaries and genres.

“Cliffhanger” by Avalon Stone hits with the intensity of a freefall, capturing the raw, vulnerable moment where you’re teetering on the emotional edge. A killer riff, powerful vocals, and haunting lyrics like “Can’t see the water below but I hear the waves crash,” the song delivers intensity. Produced by Juno-winner Kevin Dietz, it’s a follow-up to her breakout debut “Forget You,” over 200K streams worldwide.

Indie Pop sensation Split Second returns with their latest single, “Ozymandias,” an energetic and quirky track inspired by the classic poem by Percy Bysshe Shelley. The band, composed of members Ava, Jack, Levi, and Louiz, has crafted a unique sound that blends influences from Fleetwood Mac, Arctic Monkeys* and Blondie, resulting in a vibrant and distinctive musical experience.

Following the 2023 debut single ‘Payback’ by alt-rock maverick Love Ghost and industrial legend Tim Skold (SKOLD, Shotgun Messiah, KMFDM, Marilyn Manson, Motionless in White), they are back with ‘Nightshade and Cocaine’. With heavy guitars and pianos, this song is inspired by altered states of mind and witchcraft, setting the tone for the dark rock n’ roll soundscape of this album.

Drawing specifically on the spiritual jazz of Pharoah Sanders and the Coltranes and the European tradition of free improvisation, Flatten paints a landscape that undulates between heaven and hell, with violent sound blasts interrupted by flowing ocean waves.

San Francisco-based artist AURSJOEN presents her debut single ‘Nytår’, a haunted beauty of a track that is both sensual and mystical. A nod to her Scandinavian ancestry, this reverie-infused music is lush, layered and sweepingly cinematic. Dark and light in equal measure, this dynamic slice of ethereal gothica is complemented by a haunting video, created by filmmaker David Kruschke.

Honeyvolt is a hot new hard rock band that makes big, fun, loud indie rock. Although completely independent, their debut singles have been exploding on Spotify. For lovers of rock music, Honeyvolt and their debut singles “Break Me Down” and “Red Moon Rising” are must listens!

Downes, Frisell, and Cyrille find a commonality in drone, as each musician channels their instruments into a forward drift towards a universal tone.

Gothic Rock / Darkwave act The Awakening shares their new single ‘Mirror Midnight’, which underscores historical tendency towards self-obsession and the media’s recurring manipulation of self-perception. This is the first taste of their self-titled album (their 12th to date), which will be released on October 18 via Intervention Arts.

Established in Livorno, Italy in 2010, Gabriele, Marco and Jonathan were not just determined, but destined to break free from their surroundings, and music was their key. Developing their sound over the past years into a beautifully refined chaos. Mixing experimentation with electronics, colossal percussion, and searing post-rock guitars, the band has created a sound that is not stereotypical of their humble background.

“We believe if you listen to our music it will speak for itself. Our sound is unique, while still being accessible. Passionate vocals, heavy riffs , amazing rhythm section and excellent compositions are prevalent and organic. We don’t sound like anyone else.”

Formed in 2005, A Shoreline Dream is now multi-instrumentalist and vocalist Ryan Policky and guitarist Erik Jeffries, who are based in Barnum, Colorado. Usually a selt-contained unit on most released, Whitelined includes three collaborations with Mark Gardener. Together, they have crafted a record where shimmering walls of sound wash of turbulent percussion and swooning vocals to weave an otherworldly sonic reality.

One might well wonder why saxophonist Walter Smith III gave his latest album such a literal title.

After studying at Berklee and the Musicians Institute in Hollywood, Straw returned home to Panama where he collaborated with the Nashville-hailing songwriter, Grant van Dijk to bring his debut to life. Through the perfect equilibrium of candid soul and rock n roll swagger, Straw ensured that he wouldn’t find himself short of plaudits – especially if the singles in the pipeline match the intoxicating energy in “Apartment 3513”.

Portland-based Pete International Airport presents the new single ‘Sea of Eyes’ featuring vocalist Alexander Hackett of Montreal dream-gaze outfit Pang Attack. This is the first offering from PIA’s new ‘Sea of Eyes’ EP, set for release in November via cult label Little Cloud Records, accompanied by an intriguing shadow-dance video, directed by Francesca Bonci.

Rebecca Aadland’s new album, Stronger Broken, is an eclectic collection of original songs, bridging styles of folk, rock and blues. Her resonant and beautiful vocals infuse this record, which is the culmination of six years in the studio with some of Minnesota’s finest musicians. Stronger Broken was released fifteen years after her debut record. Her lyrics are soulful, sometimes humorous, with themes of getting unstuck, finding love, and wrestling with life’s hardships.

Inspired by the northwest hills of NJ in the shadow of the Appalachian Ridge, Water Street creates a new version of Americana, mixing soulful acoustic melodies with rugged rock and roll bursts, a driving rhythm section with some hints of funk which combine to create a uniquely new, Pop/Americana/Roots sound.

Lounna is the indie-folk project by Pittsburgh songwriter and producer Brenna Slate. Inspired by modern artists that range from Bear’s Den to Gregory Alan Isakov to boygenius, Slate’s songwriting combines elements of indie, folk, alternative, and americana genres that shift from soft sonic scapes to indie rock ballads.

The album was motivated by the tumultuous times we’ve experienced (both globally and here in the US) over the past few years: upheavals in politics, the world economy, public health, the sciences, and culture in general. Of course these are my own impressions and interpretations, and I tend to cast a jaundiced eye on things generally, so satire, sarcasm, dark humor, and irony pop up throughout. We’ve all been through a lot and everyone has their coping mechanism – mine is writing songs.

Michael Figueroa is carving out his own unique space in the indie music scene, and he’s doing it with a refreshing honesty that’s hard to overlook. Embracing his real name, Figueroa steps into the spotlight with a sense of authenticity that feels both personal and relatable. His sound is a heartfelt tribute to the indie boom of the early 2010s, drawing inspiration from artists like Toro y Moi, Mac DeMarco, and *Bahamas*—who have shaped the sonic landscape he navigates

Saxophonist Miguel Zenon embarks on his most ambitious project yet on his latest album Golden City: no less than a tribute to the city of San Francisco.

American singer-songwriter JC Miller has announced his next single ‘Blackberry Canes’, to be released on September 20 via Tilt Records. Once again, this true-grit storyteller engages us in a captivating journey that blends time and nature within the American landscape.

Portuguese indie pop visionary Tsunamiz has released ‘Dreamz’, the fourth single taken from his highly anticipated seventh studio album Behold the Man.“Dreamz” merges contemporary electro pop and alternative pop with slices of vintage post-punk and is highlighted by pulsating synths, vivid drums, slicing guitars, and an eloquently moody vocal performance. The DIY ethic of Tsunamiz is evident in “Dreamz” with the musician composing and producing his music.

“Indian Summer” is raucous, lo-fi, & bathed in nostalgia. An Indian summer is an extended one that lasts into autumn, which the singer is pining for along with a youthful romance. With Indian Summer we see Spouses moving away from the intimate folk of their previous release “California Wine” and into lo-fi alternative rock more akin to The Strokes or Elephant 6 Collective.

Exploring the endless expanses of cumbia, North African, and Middle Eastern music, the guitarist has increasingly brought his own personality to these traditions, creating a lively interplay between distant modes and rhythms and his own New Orleans-steeped sound. While Brian J’s an accomplished vocalist and bandleader (Cedric Burnside, Corey Henry, Pimps Of Joytime, etc), the Gitkin project has always been a space to delve into wordless, instrumental moods and melodies, and this latest iteration has taken that homegrown, yet far-reaching sound to its next level.

Saxophonist Ivo Perelman continues his attempt to be the world’s most prolific free improviser with three new albums that continue established series, both putting the free jazz master in pairs with like-minded colleagues.

Canning, having been brought up in and out of the Chicago rock scene, has endured to keep true to its roots of authenticity, diversity and individuality. For the listener, a true connection can be made by experiencing the depths and devotion found within the assault or the gentle caress of a live show. Canning deems to explore their music and portray a song in its rightful place, at least for that given moment. Throughout the years, many times Canning does not play the song, moreover, with the elasticity of time…the song will play them.

‘Burn It Down,’ their 5th single, is a perfect summary of what King’s Vengeance is all about! Loud, fast, driving, high-energy rock, with unpredictable changes. It is a glimpse into their musical style and energy that the audience are hit with at each and every show! The track is a six-minute, 25-second burst of loud, fast, and driving classic rock. The song captures the band’s raw, unpredictable energy and exemplifies their intense, spirited style, making it a must-listen for rock enthusiasts.

Armed with blistering riffs, infectious melodies and soaring choruses, Poison Oak create a truly anthemic brand of music. Since their inception in 2019, the band has released three EPs and a debut album called These Suburban Dreams. They have landed themselves in well-known music publications across the globe, including Vents, Happy Mag, Scenestr, Hysteria Mag and AMNplify. Their music has garnered positive reviews from Triple J and have been aired on radio stations from every corner of the globe.

Indie Folk Rock examination of the aging process through an old black suit once used for celebrations is now repurposed for funerals. Inspired after the loss of 4 friends in as many weeks. The explosive instrumental parts are the culmination of all the unchecked emotions when grief and loss are fresh.

Dan Cook is an indie rock musician with a knack for crafting irresistibly catchy songs that linger in your mind long after the last note fades. Hailing from Stockton-on-Tees, Dan is blending infectious melodies with lyrics that resonate on a deeply personal level. His sound is a fusion of classic rock influences and modern indie sensibilities, creating tracks that feel both timeless and fresh.

Spirit Gun is a razor-sharp rock n’ roll band based in Norfolk, Virginia. The trio’s trademark sound showcases an intense blend of punk-like fury and melody-drenched grooves, combined with dashes of soul music, creating a sonic journey that keeps audiences captivated everywhere they play.

A lone, menacing guitar claws and scrapes as Hendrix sings a melancholy internal dialogue of survival. This sonic theater of monsters and midnights reminds us of the joy of life by focusing on the horror surrounding us. Heavily inspired by 80’s new wave guitar alt pop like the Smiths and REM.

““paint me how you see me” is a little punk rock n’ folk anthem about a life long friend. this is the fourth track off upcoming album “just another sunflower, searching for the sun.” I always wanted to capture all of my life experiences in one body of work, to be as real and honest as i could, and to paint a wide landscape of what it meant to be alive during a period of time.”

Emerging alternative rock band Oceanless released their highly anticipated single “Jaded” on September 6th, 2024. The track, which tackles the harsh realities of the grassroots music scene and the pervasive greed of major record labels, is poised to make a significant impact on both fans and critics alike. “Jaded” is a raw and powerful anthem that resonates with anyone who has witnessed or experienced the struggles of independent artists. With its evocative lyrics and driving instrumentals, the song captures the frustration and disillusionment that often accompanies the pursuit of success in an industry dominated by corporate interests.

Gary Van Miert is a singer, songwriter, musician and all-around entertainer who specializes in American Roots Music. He has his own unique interpretation of traditional American music: classic Country tunes from the fifties and sixties, and time-honored Blues numbers that go back to the greats hailing from Mississippi and Chicago.

We all know that feeling of constantly chasing behind the cart, like there just aren’t enough hours in the day to get everything done that we need to. Luckily, Names Without Numbers know the feeling too. In fact, as we hear on the Omaha, Nebraska quartet’s new single “Ping Pong Ball in a Concrete Room,” they know the feeling all too well.

Go Betty Go’s Black & Blue EP, via Wiretap Records out on September 13. The EP features six tracks, including two newly recorded live-show fan favorites from early in the band’s career. Black & Blue was produced by Davey Warsop (The Used, Face to Face, Chuck Ragan, Matt Skiba). Go Betty Go’s music is driven by Betty Cisneros’ guitar, Nicolette Vilar’s vocals, Michelle Rangel’s bass, and Aixa Vilar’s drums.

“Chapter & Verse” sees Deadlight Dance return to writing original songs, following on from March’s ambitious “The Wiltshire Gothic” project. Almost a year to the day since the band’s critically acclaimed debut album “…Beyond Reverence” was released. It also sees a return to the full band sound that the duo make.

December Friend was born out of the pandemic when Joel Leviton reached out to friends Jeff Victor (Minneapolis musician, composer, and producer) and John Wlaysewski (of Brooklyn-based band Late Cambrian) asking if they wanted to collaborate on a new project. Thankfully, they said yes. All songs for December Friend’s initial album, Splendor Never Dies, were recorded remotely in home studios in Minneapolis and Brooklyn during the pandemic. They followed the same formula for December Friend’s latest release, In a Warmer Way, recording songs written by Joel Leviton at home studios in Minneapolis and Brooklyn.

Despite coming from an era where his preferred milieu was so cheesy it should have been surrounded by mousetraps, Stern’s career has endured.

The GET is a New Orleans-based electro-folk trio founded by singer-songwriter and guitarist George Elizondo. The band is also comprised of Chris Beroes-Haigis (cello, FX) and Violeta Del Rio (vocals, keyboards, drum machine, FX). Together they produce the songs and the band incorporates folktronica, art rock, and post-punk elements combining acoustic instruments with an electronic palette of sounds.

Dallas Orbiter is a long-running Minneapolis-based rock quartet exploring the cusp between sophisticated pop songwriting and modern, spaced-out psychedelia. The group began with long Krautrock and electric Miles Davis-inspired space jam sessions in the late 90s/early 2000s in the process of refining an ensemble sound. The band released 3 full-length albums and 2 EPs between 2000 & 2008, along with an online-only monthly singles project in 2011.