The Findlay sisters share how their parent’s music collection is directly responsible for shaping Stonefield’s heavy, classic rock sound.
Tim Bowness discusses No-Man, his longtime musical partnership with Steven Wilson, as they prepare to release their 7th studio album.
Jack Tatum, mastermind behind dream pop band Wild Nothing, looks back on his evolution from one-man-band to leading one of the most acclaimed groups in the genre.
Juliana Hatfield discusses how making albums devoted to covering Olivia Newton-John and The Police help her revive her creative spark.
“The character in the songs basically needs to put a lot of distance between himself and Glasgow because of things he’s done but, with me I chose to come to the States in search of a bit of adventure.” – Allan McNaughton
Up-and-coming indie pop-punk singer-songwriter Sarah Gargano discusses her EPs, wanderlust, and humanity’s “incessant need to find meaning.”
Elbow frontman Guy Garvey discusses the politics, grief, and inequality that fueled the writing for the band’s new album, Giants of All Sizes.
“The themes of the record aren’t necessarily dark so I think it’s the intensity of some of the decisions on instruments and it’s a more guitar-driven record but, they’re not “safe” guitar sounds. It’s sort of wobbly like an old gramophone or something.” – James Bagshaw
Sloan’s Jay Ferguson discusses the new Navy Blues box set.
Mark Burgess, singer and bassist for The Chameleons and ChameleonsVox, talks about his Fall 2019 American tour with Theatre of Hate and Jay Aston.
“I enjoy reading scientific publications. Magazines like New Scientist, and then when something really interests me I look deeper and find the journal article it cites. We are living in a dystopia. Its amazing! How exciting. Better write another song about it!” – Albert Wolski
“The title of this album and in particular the track reflects a statement on our society between dream and despair, on an available and disposable youth, in the instantaneity and the ephemeral.” – Yann Le Razavet
“My lyrical goals were similar; the songs on Angel are about your classic tropes of love and loss but, specifically loving and losing things that are fictional and that you never had.” – Rachel Birke
“I think that this record is really special to me because I was given total freedom to do whatever I wanted with my guitar playing (for better or for worse!).” – Juan Velasquez
“Psycho has the biggest number of killer bands on a festival bill,” Pepper Keenan of Thursday pre-party headliners Corrosion of Conformity tells the Big Takeover, in our final preview piece leading up to “America’s rock ‘n’ roll bacchanal.”
In the iconic singer’s second-ever interview about his decidedly un-metal project, which debuts Friday at the festival, Anselmo reveals that the last time he was this nervous was when he first played with Pantera 35 years ago.
The psych-rockers have played more Psycho fests than any other band. Frontman Jason Simon reminisces about his days touring with future Psycho creator Evan Hagen and how Dead Meadow are keeping their performances fresh 20 years into their career.
Ahead of the festival’s Thursday start, we check in with Fu Manchu, Candy and Have a Nice Life, whose member Tim Macuga says, “The whole weekend is an embarrassment of riches.”
Two members of the L.A. metal quintet confessed that playing the festival is a dream come true for the young band, that they plan to play all-new songs and they hope to inspire a mosh pit in the pool.
“Art’s supposed to take your breath away for a second and make you feel something you haven’t felt in a long time,” frontwoman Mlny Parsonz says. That’s exactly what she plans to bring to the festival next week.
Tiger, drummer for the German psych/stoner throwback trio, is champing at the bit to visit Vegas for the first time, debut new material at next week’s Psycho festival and play a “destroyer” show there.
The frontman exclusively reveals to the Big Takeover details about the psych-rock band’s new album, recalls a zany Vegas story and shares his feelings about playing the festival for a second time.
Frontman Alex Maas shares about what the psych-rock masters from Austin have in store for their festival set, his penchant for poker and how tough it is as a festival organizer to please everyone who attends.
The crossover-thrash band’s frontman, Riley Gale, shares the most outrageous Vegas stories we’ve heard yet in the lead-up to the massively anticipated festival happening from August 16 to 18.
The Big Takeover has interviewed more than 50 of the roughly 70 bands playing at next month’s Psycho Las Vegas festival. But only one of them (so far) has attested to witnessing concertgoers overtly having full-on sex during one of their concerts. That lucky (?) band is L.A. Witch.
Lead guitarist Justin Anthony Maranga explains why it took so long for the band to play Psycho last year — and how the festival kicked the hard-rock quintet back into gear.
We connect via Skype with longtime 1349 guitarist Idar “Archaon” Burheim, who granted us his first extensive interview about the black-metal band’s new record, single and performance at the upcoming music festival.
We catch up with the grindcore band’s frontman, who is stoked to see his pals in Ilsa and Devil Master — and attempt to follow the Misfits after their headlining gig they’ll play at the festival earlier the same night.
The frontman of the spaghetti Western-obsessed band gifts us with the zaniest Vegas story we’ve published so far, and more outrageous anecdotes ahead of Spindrift’s performance at the festival next month.
The reunited doom band’s drummer reveals what Warhorse have in store for Psycho, why they’re feeling no pressure about their much-anticipated performance, and the bevy of bands he’s amped to see perform in Vegas.
Obsessed frontman Wino previews his band’s first performance at the festival and chats about their “long struggle,” new bassist — and King Solomon enslaving demons to build a castle.
We touch base with Kelly Finnigan to talk about his funk-soul band’s excitement to play at a heavy-rock festival, his plan to “kiss some hands and shake some babies,” and whether the psychedelic-music fan has actually had experience with psychedelics.
We catch up with frontman and guitarist Ben Bloom to ask how on earth an eight-piece funk/soul/R&B/Afrobeat band from Seattle made it onto the bill for this year’s hottest heavy-rock festival in the U.S.
Teddi Tarnoff, frontwoman for the electro-pop indie-rock band, tells us how special it is to be the only hometown act playing at the Vegas gala — and to be making the first major festival appearance of their career.
The jovial legend shares amusing anecdotes about his ex-wife, almost getting hit with flying objects while opening for Guns N’ Roses in late 2017, his upcoming appearances on “Late Night with Seth Meyers” and having “lots of problems that involve repetitive damaging behaviors.”
On the eve of their final five U.S. shows, the post-punk trailblazers reflect on their surprise second act
Frontman Jeff Walker, one of the best-humored musicians we’ve interviewed for our Psycho Las Vegas preview series, speaks about how Carcass are leaving their Spinal Tap stage props at home and much more.
The multi-hyphenate musician opened up about his lack of familiarity with the festival and whether he thinks he’ll fit in. He also recounted an outrageous story involving the Flaming Lips, grandparents and an alien blow jobs.
Following on from the release of Berths, and riding the crest of adoration, Julie Lynn of Slowness took time out to answer a few questions about the album
The hardest working musician on the scene Ashton Nyte talks about his past, the present, and what the future holds for both his solo work and The Awakening.
Frontman Todd Fink shares his gratitude for the Faint to be included on such an unlikely festival lineup and also reveals that the band will heavily mine its recently released Egowerk (Saddle Creek) during their performance.
We caught up with bassist Jay Bentley during a tour stop in Denver to pick his brain about the festival, why it’s a “no-brainer” for the punk-rock legends to play it, and find out how his dirty pajamas got into an exhibit at the Rock & Roll Hall of Fame.
We catch up with the Cincinnati rock band’s lead singer, who gushes about the band’s long history with the festival, explains what sets it apart from the rest — and embarrassingly reveals how she blew a chance to hang with Alice Cooper.
Opeth’s frontman candidly talks with us about the Swedish progressive-metal’s festival-closing appearance the festival, his disdain for Offspring and Nickelback, and why he still gets stage jitters 30 years after forming his band.
Frontman Kevin Starrs, a.k.a. Uncle Acid, reveals the acts he’s most eager to see at next month’s heavy-rock festival — and also tells us about the “hammer attack” his band has in store for it.
The blackened-doom trio’s frontman tells us what makes Psycho distinct, why you probably won’t be seeing him in the pool — and, with some coaxing, what stands as his best Vegas memory (so far).
“So I was teaching music to kids and that was how the healing process began. I thought I was done playing music, but once I started treating the PTSD, anxiety, and depression that followed with talk therapy and EMDR trauma therapy, the songs started slowly coming out again. This was the only way I saw results in my improvement. Eventually I started playing shows again and before I knew it, the anxiety started to lessen the more and more I played.”
With classic metal vinyl at her fingertips and Judas Priest in her heart, Kim Galdámez will keep concertgoers alert by spinning throughout the festival, which is five short weeks away.
Lead guitarist Darkest Prince sheds light — or darkness — on the punk-minded black-metal band’s performance at the festival, and allows us bow down to our new Master.
Jean-Paul Gaster, drummer for “America’s quintessential rock and roll band,” took some time before heading out on tour to praise Wino from the Obsessed, spill secrets about how Clutch determine their set lists, and divulge why he’s especially excited to see Carcass at Psycho.
Vocalist/guitarist Gabriel Franco discusses the goth-rock/post-punk band’s much-anticipated performance at the festival, his plans to rely on a diet of milk and pasta for the show (?!), and what he plans to do with the band’s earnings in Vegas (take a wild guess …).
