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We chat with Maggie Bjorklund, Danish pedal steel maestro, who discusses her attraction to the instrument—and the difficulties of learning said instrument in a remote Northern European location.
We discuss the making of Chicago-based electronic-folk-pop band A Lull‘s impressive debut album Confetti with vocalist and mastermind Nigel Evan Dennis.
We talk with Dallas-based Daniel Huffman about his debut record, Bump & Assassination.
Take a little time to check out New Orleans-based Generationals, who deftly impress with their second album, Actor-Caster.
After an internal shake-up, a period in creative limbo and a self-described rebirth the trio are back with a new album that sounds like a rain forest hoe down on acid.
We sit down with The Head and The Heart‘s Josiah Johnson, who talks about the band’s formation and plans for the future.
“I learned a lot of life lessons from The Heart Attacks. I’ve felt shitty for so long that to do things like that again would be really detrimental to me and The Biters.”
As celebrated working class author, Nelson Algren chronicled the daily plight of urban sprawl and the street hustler’s fight for survival, Boston’s Street Dogs transformed Algren’s ghetto defendant into a symbol for collective empowerment.
Legendary indie-pop songwriter Phil Wilson discusses his return after two decades, his former band, The June Brides, and his struggles with songwriting.
Will Long, the widower of ambient artist Danielle Baquat-Long, sat down to tell us a little bit about the enigmatic Chubby Wolf.
Justin Carter, leader of Canadian atmospheric rockers The Sky Life, discusses the motivations and the creation of their second album, Roots and Wings
Ypsilanti-based musician and studio wizard Fred Thomas takes a few moments to talk about his numerous projects
Small Sins frontman Thomas D’arcy talks about his band’s third album, Pot Calls Kettle Black, working with John McEntire, and how he survived the Postal Service-induced synth-pop explosion.
Seattle’s The Moondoggies return with an impressive sophomore album, Tidelands. Guitarist/singer Kevin Murphy talks about the album, and their distinctive yet familiar sound.
This week we look at the work of Copenhagen-based musician Keith Canisius, upon the release of his third album, This Time It’s Our High.
Though Kendl Winter recently released her fourth solo album, Apple Core, it is a mere drop in the bucket for this Arkansas-gone-Olympia musician.
Taking a breather from his day-job as guitarist for The Dandy Warhols, Peter Holmström and his cohorts from the Portland psych-rock scene have created an album of enjoyable, mellow psychedelia.
The Hangmen aren’t celluloid heroes and won’t be featured on any tourist star map, but they will be celebrated with Lost Rocks, a collection of their raucous country infused punk rock spanning their 25 year history.