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The Big Takeover #80 Spring 2017

Cody Conard

Jody Cooper - Serenades & Odes to a Cracked World Part 1 (Self-Released)

7 June 2017

Overall, Cooper’s goal is an energetic one, with the ultimate aim of getting the public to “start engaging with the problems around them in an attempt to make a positive change.”

Saint Blasphemer - Theotokos (Self-Released)

22 May 2017

One should hesitate in calling Theotokos a concept record, but drug addiction and how it effects both the user and those around them is a theme that repeats on many of the songs.

Space Motel - Arrival (Self-Released)

13 May 2017

Arrival doesn’t show a tremendous amount of growth in Space Motel since their last full-length, but it does show them just as strong with no sign of slowing down.

Sam Levin - Frame of Mind (Self-Released)

23 April 2017

Frame of Mind has a wonderfully charming home grown sound that perfectly suits Sam Levin’s quietly confident style, and should easily turn out to be surprise indie sleeper hit.

Captain of the Lost Waves - Hidden Gems - Chapter 1 (Self-Released)

15 April 2017

Although there exists definable cornerstones, the band thrives more in that vague no man’s land, that abstract Venn diagram where goth, cabaret, vaudeville, and the circus all intersect.

C.K. Flach - Empty Mansions (Self-Released)

31 March 2017

Flach’s Empty Mansions, is a concept album about division and confusion in the modern era, and is the culmination of a long series of attempts and experiments by Flach.

My Silent Bravery - Breakthrough (MWS Records)

25 March 2017

Breakthrough is an album easy to enjoy and hum along to what’s on the surface, but dig a little deeper and you’ll find a work rich in complex emotional content.

The Long Dark Road - Self-Titled EP (Self-Released)

11 March 2017

The Long Dark Road may have too much shoegaze in it to satisfy traditional metal fans, but has enough merit to attract newcomers as well as those searching for something a little weightier than normal.

Electric Ray and the Shockers - California Torpedo (Beedirecords)

8 March 2017

In many regards, California Torpedo sounds like a debut album. It’s the work of a band that is still searching for its footing, but it’s also a work of unquestionable merit when the pieces fall perfectly into place.

The Psyatics - Famous Monsters (Self-Released)

7 March 2017

Their third and most recent album, Famous Monsters essentially follows the pattern of the previous two, but it finds a band at their peak, and if not, at least very close to it.

Justin Allen and the Well Shots - White Oak & Kerosene EP (Self-Released)

7 March 2017

Listen to any song from White Oak & Kerosene, and you can immediately sense the dirt caked on Allen’s hands, and the cheap, hard-earned whiskey on his breath.

BONOMO - Phases (Self-Released)

25 February 2017

Singer Bonomo’s vocals have a timeless soulful quality; not designed to stun with prowess, but commune with an introspective intimacy rare today.

no:carrier - Broken Rainbow (Self-Released)

18 February 2017

On their fourth full-length album, there’s no big shake ups in terms of style, but rather the band continues to explore the darkest corners of their own trademarked sound and expand the fullness of its production.

Saint Mars - Ocean Blues EP (Grá Mór Phonic Records)

14 February 2017

On their debut EP, Ocean Blues, this band from Bristol, UK manages to combine the sunniest of vocal harmonies with the gloomiest of Gothic melodies.

Eric Frisch - Music Under Sea (Self-Released)

6 February 2017

Music Under Sea has neither an entire foot in the music of the 60s or the pop today it inspired, but will nevertheless have fans who love either.

Astral Cloud Ashes - Too Close to the Noise Floor (Self-Released)

31 January 2017

On his debut album, Too Close to the Noise Floor, released last year, Antony Walker effortlessly combines the weirdness and constancy of The Pixies with the larger-than-life pop of XTC.

Verena von Horsten - Alien Angel Super Death (A Tree in a Field Records)

28 January 2017

Alien Angel Super Death doesn’t willingly give away much at first, but it generously rewards listeners who readily approach it with complete emergence.

King Ropes - Dirt (Self-Released)

25 January 2017

King Ropes, an indie garage band from Bozeman, Montana, effortlessly couples the inventiveness of The Pixies and the alternative country twang of Wilco with remarkable results.

Seneko - Self-Titled EP (Self-Released)

21 January 2017

For a set of solo recordings, it certainly doesn’t play like the work of one individual, and indeed the studio polish gives it a lush, full-bodied feel to the record that only aids Olshefski’s keen pop instincts.

Saul Losada - Energy (Self-Released)

14 January 2017

While there’s nothing groundbreaking or innovative on this record, Saul Losada erects the foundations on Energy to set himself firmly in the lineage of blues rock’s most individual guitarists.

Thorin Loeks - Thirsty Hearts (Self-Released)

2 January 2017

Thirsty Hearts is an incredibly relevant and powerful record that speaks directly to the uncertain and transitory impasse in which we are currently living in.

Michael Van & The Movers - A Little More Country (Self-Released)

10 December 2016

A Little More Country just might be the perfect Christmas gift for the country fan longing for traditional Americana and country that doesn’t entirely sacrifice a modern sensibility.

Gert Taberner - Fallen EP (Self-Released)

6 December 2016

While Taberner doesn’t as of yet have the most original of voices, it’s clear from the off that Fallen contains all of the makings for one, and all that remains to be seen is where he goes from here.

Dino Jag - Breakthrough EP (Self-Released)

3 December 2016

Dino Jag is a musician who has clearly cracked the code for pop songwriting, and he winningly replicates this formula six times over the course of the simply enjoyable Breakthrough EP.

Danophone - Rerun (Self-Released)

2 December 2016

Purposely recorded with limited technology, Rerun is as warm and tender as it is personal and intimate from a musician with an immediately identifiable voice deserving to be heard.

Saint Blasphemer - Simon Templar (Self-Released)

28 November 2016

A concept like this is a heavy one to cover, and by no means easy, but Saint Blasphemer tackles the job with deftness and heart on Simon Templar.

Fallen Asunder - S/T (Self-Released)

28 November 2016

Fallen Asunder occasionally gets lost in trying to sound too much like its influences, but it nevertheless remains a promising debut from a band who have clearly put everything into it.

Color You - The Grand Trine (Self-Released)

27 November 2016

The Grand Trine isn’t a perfectly cohesive effort, but it’s the sound of a band tightening up considerably since their formation, and truly beginning to find their own voice.

Wicklow Atwater - The Fallen Flame String Band LP (Self-Released)

20 November 2016

Raised and formed in Atwater Village, Southern California, the five members of Wicklow Atwater have all been friends since childhood, resulting in a long-standing bond and natural chemistry rare for musical acts.

Glenn Meling - Minnesota (Self-Released)

11 November 2016

Inspired in part by the Coen brothers’ film, Fargo, Minnesota is a moody post-punk vision of the coldest and bleakest reaches of America.

The Furious Seasons - Look West (Self-Released)

6 November 2016

Bastion of the Los Angeles pop scene, David Steinhart, is back once again with his band The Furious Seasons, but this time jumping head first into a new style for the first time.

One Track Mind - A Price to be Paid (Brygga Records)

3 November 2016

Although One Track Mind hails from Norway, their sound actually sounds more like it comes from the suburbs of California or the housing projects of Scotland.

Countless Thousands - You're Goddamn Right (Self-Released)

27 October 2016

Self-described as having “a punk rock core made accessible with doo-wop inspired vocal lines,” and “a Billy Joel-approved lyricism…” it’s clear the band are comfortable with stretching the genre to its breaking point.

Savage Henry and the Infamous One Pounders - Get Off Easy (Self-Released)

22 October 2016

Saskatoon party favorites have been pushing their unapologetic, if controversial, brand of raw garage punk since 1998, and their latest album, Get Off Easy, is no exception to the rule.

Max Fite - Shake It On Down EP (Self-Released)

15 October 2016

Shake It On Down_ rises above the majority of hard rock that deals solely with partying by deftly acknowledging the shadows of life it’s running from.

The Slang - Night and Day EP (Self-Released)

12 October 2016

Night and Day is the result of a band finding their voice, flexing their muscles, and the statement of two musicians learning to deal triumphantly with changes.

Logan Metz - The Last Remaining Payphone in L.A. (Self-Released)

7 October 2016

A stunning debut, The Last Remaining Payphone in L.A. has all of the possibilities within it to make Logan Metz one of America’s next great troubadours.

The Survival Code - Broken Strings EP (IRL)

2 October 2016

London’s The Survival Code straddle the fine, and some would say, oft indistinguishable line between alt rock and punk, much in line with some of their influences like Deftones and Queens of the Stone Age.

TALIA - Thugs They Look Like Angels (Self-Released)

30 September 2016

Thugs They Look Like Angels is due out October 16th, and is an album that is as comfortably footed in the recent past as it is the present, thriving in both equally.

Magnetic Ghost - Loss Molecules (Self-Released)

24 September 2016

The album is obviously influenced by shoegaze acts like Low and Sonic Youth, but there’s also a more melancholic gothic element that imbues songs with a Joy Division dirge-like quality.

Chameleon Technology - Blank Canvas (Self-Released)

18 September 2016

Although it can be seen as a soundtrack to Chameleon Technology’s live show, Blank Canvas proves to be just as worthy to listeners for its own merits alone.

Tilted Axes - Music for Mobile Electric Guitars (Self-Released)

11 September 2016

The democracy and runtime of this album needn’t necessarily have been set to 11, but Music for Mobile Electric Guitars is nevertheless high on concept, ideas, and, overall, execution.

The Depature - Gateways EP (Self-Released)

5 September 2016

Salt Lake City’s The Departure have attempted a daring feat—bridging the gap between pop punk and prog rock—on their new fittingly-titled EP, Gateways.

Galapaghost - I Never Arrived (Self-Released)

29 August 2016

I Never Arrived is a misleading title, because if anything it finds Chandler truly coming into his own on what is undoubtedly his finest and most mature work yet.

Winter Calling - FACES (Self-Released)

23 August 2016

It’s obviously an extremely heartfelt roller coaster ride and the honesty communicated make FACES one of the year’s more compelling records.

Everlost US - Live and Let Go (Self-Released)

16 August 2016

Like the sprouting tree on its cover, Live and Let Go is the product of a musician growing and inviting an audience to join him along the way, making for at once both a captivating and openly honest work of art.

Mike Comfort - Pretty Sweet Stuff (Smoothhead Records)

9 August 2016

Over the course of twenty songs, Pretty Sweet Stuff offers a glimpse at the sizable and impressive body of work from a musician whose heart is worn on his sleeve at all times.

Tumbler - Come to the Edge (Self-Released)

7 August 2016

Come to the Edge finds Tumbler more assured and confident than ever; it also happens to contain some of their best songs yet