Since 2002, Chuck has regularly written columns as a music critic/journalist for publications like The New York Waste, Under The Volcano, Horror Garage, Fear and Loathing in Long Beach and The Big Takeover in both print and online versions. Over the years, he has interviewed diverse voices, such as Jello Biafra, Buzz Osborne of The Melvins and Sky Saxon of The Seeds.
Additionally, he has co-written award-winning screenplays for Hell’s Belles and The Summoners (aka Girls Play Games for YouTube’s BlackBoxTV) with director Christian Ackerman. They are currently developing their next project together.
Roman power trio Fvzz Popvli celebrate fuzz their own way on a debut full-length that will likely leave many scratching their heads.
Nearly two decades on, Brooklyn’s twelve-piece afrobeat ensemble Antibalas shows no signs of slowing down on its powerful sixth full-length.
Before becoming a revered Oscar-nominated A-list actor, Will Smith was one half of a hip-hop duo who not only placed Philadelphia on the map, but also achieved wide mainstream success with the genre’s first double LP.
Before Bruce Dickinson became known as the wailing banshee of Iron Maiden, he fronted Samson, a vehicle for Paul Samson, a guitarist who peacefully resides as an unheard giant of the new wave of British heavy metal.
In 1989, Ravi Shankar delivered a powerful dance-drama, sort of an Indian ballet, to the Birmingham Touring Opera Company on commission.
Between 1964 and 1968, Loma Records, an imprint of Warner Brothers that began as a commercial enterprise, became the conglomerate’s soul division under label head Bob Krasnow (formerly of Del-Fi, Autumn, and King Records).
During his lifetime, West Yorkshire, UK-born Alan Sutcliffe (1930-2014) founded the Computer Arts Society, produced animation for Ridley Scott’s 1979 film Alien (seen in the cover art) and acted as part-time director for Electronic Music Studios, creators of the EMS Synthi AKS.
Sardinia’s The Rippers return with their fifth full-length that shows their blistering freakbeat at full tilt.
Before poet Allen Ginsberg recorded the legendary sessions that would end up on last year’s phenomenal The Last Word on First Blues collection, he paid tribute to his hero and inspiration William Blake by setting the master’s words to music for what would be his debut non-spoken word album.
Two and a half years after their beautiful, stellar debut, The Luxembourg Signal finally return with an expanded lineup and a pair of excellent songs.
New Yorker Edward Rogers returns with his strongest and most varied album to date while examining America’s cultural obsession with the boob tube.
Kiwis are generally known for being polite, but Auckland’s Cavemen strive to destroy that stereotype with yet another blast of feral trash rock slime.
Through the ’70s and into the ’80s, Yuri Morozov recorded over 46 albums in numerous genres that were passed around Russian underground music circles in defiance of Soviet control.
English electronic music pioneers Coldcut join forces with the godfather of British dub Adrian Sherwood, aka On-U Sound, for sixteen slabs of heavy dub infusion.
Barcelona, Spain’s Cachemira explode with a stoner-friendly debut straight out of the Summer of Love.
A large part of what made Jennifer Kent’s 2014 horror film The Babadook so effective was Jed Kurzel’s unsettling score.
Milan, Italy’s Giöbia see their undisputed 2015 masterpiece remastered, repackaged and reissued for all the world to finally hear properly.
In case you haven’t heard, B-52s vocalist Fred Schneider has been active with his new band The Superions (Noah Brodie and Dan Marshall) for over a decade.
Shanghai, China’s Round Eye return with a referendum on last year’s election that offers an insightful glimpse from outside the United States.
Having already established herself as a prominent side-player to the likes of William Parker, TV on the Radio and Spoon, trumpeter Jaimie Branch delivers an outstanding debut as band leader that showcases the full range of her talent.
By 1995, Swans had evolved through several styles of music, from no wave skronk to punishing industrial sludge to Southern Gothic ballads to driving, droning guitar rock.
Between 1967 and 1971, directors John Palmer and David Weisman, fixtures of Andy Warhol’s Factory, filmed Superstar/“It” girl Edie Sedgwick in what would ultimately prove to be the defining role of her short life as Susan Superstar, the subject of 1973’s Ciao! Manhattan.
Japanese noise god Masami Akita, better known as Merzbow, teams up with Nine Inch Nails keyboardist Alessandro Cortini for a mutual celebration of the famed EMS synthesizer.
New Paltz, NY ambient duo Arranged Marriage NP deliver a stunning debut that merges Indian classicism with Brian Eno’s sonic manipulation.
San Francisco synth-punks Inhalt deliver their first full-length in the form of a “best of” session for the celebrated Part Time Punks radio show.
Split between Bahrain and the UK, Flamingods persist, releasing a third studio album that reaches beyond earthly exotica into alien territory.
To celebrate a decade of sonic disturbance, NYC’s Pharmakon, aka Margaret Chardiet, delivers a full-on assault on the senses in the form of her third full-length.
Former members of Brooklyn’s Livids reconvene for a scorching debut as Moral Panic.
Berkshire, UK trio Revbjelde deliver an astonishing debut that blurs so many lines between genre boundaries the entire concept becomes irrelevant.
As a founding member of both The Jam and The Style Council, as well as a prolific solo artist, Paul Weller has done much to help shape British rock’n‘roll.
Melbourne, Australia’s Brad Pot deliver a positively scorching debut full-length that continues the legacy of Oz punk greatness.
In the 1920s and ’30s, Hayes McMullan played blues around his home in the Mississippi Delta.
Nomadic songwriter Wilson Getchell (Wall-Eyed) lands in North Carolina to form the perfect band for his eclectic talent.
Never ones to stay quiet for long, Los Angeles rock’n‘roll heroes Dr. Boogie drop a song into cyberspace just to remind us that they’re still kicking.
Holbrook, Long Island’s Foresterr brave the fashion punks, cover bands and emo-kids-who-think-they’re-hardcore dominating their local scene with an uncompromising brand of spastic noise rock.
Madrid, Spain’s Biznaga deliver their first domestic LP of punk rock en Español just in time for the leader of the free world to announce his war against the majority of the Spanish-speaking world.
After five years of flying under the radar, Brooklyn’s The Modern Airline finally follow their eponymous 2011 debut full-length with a strong 7” that shows where they’ve been and where they’re going.
Before Al Jourgensen became defined by the metal industrial sound he pioneered, Ministry began as a synthwave band blending elements of post-punk, goth and electronic krautrock into a unified sound.
Following the box set documenting Harry Bertoia’s complete Sonambient catalog comes a brand new release of previously unheard recordings that further the legacy of the legendary sculptor/composer.
To celebrate their ten year anniversary in 2013, London noisemongers Hey Colossus assembled a “best of” compilation, originally released on cassette by S.O.U.L. with only 50 copies made.
Having released a slew of 7“s and a lone full-length, New Jersey’s Personal and the Pizzas finally return with another long player that reminds us why they’re the greatest thug rock band in the world.
Inspired by the scene happening around them along with punk rock from England, The Smart Pills formed in New York City in early 1978, but relocated to Topeka, KS after finding themselves completely destitute.
According to lore, Chinatown’s producer Robert Evans disliked Phillip Lambro’s original score so much, he hired Jerry Goldsmith to compose an entirely new one.
In 1970, Lee Hazlewood left his shambling record label Lee Hazlewood Industries, broken relationship with longtime partner Suzi Jane Hokom and the Vietnam War, which threatened to draft is only son, for the calmer pastures of Sweden.
Though not necessarily a “singles artist” per se, Tim Buckley recorded 10 singles throughout his eight-year career.
New York-via-San Francisco’s Our Daughter’s Wedding only lasted from 1979-1984, yet, in those five years, they toured with Iggy Pop, U2, Duran Duran and The Psychedelic Furs, appeared on a budding MTV as guest hosts and delivered a synthpunk masterpiece that, sadly, became lost to time.
In 1979, James Chance & the Contortions delivered Buy, the seminal New York no wave album that bent brains and bones with its twisted take on post-punk, skronk and funk.
Thalia Zedek teams up with Neptune’s Jason Sanford and Gavin McCarthy of Karate for an art-noise trio that recalls the heyday of ’90s Touch and Go while looking forward to a bleak, uncertain future.
Veteran New Jersey-via-North Carolina soul singer Lee Fields returns with long-time collaborators The Expressions for yet another powerful album that sounds like it warped out of the ’70s.
Just in time for the Halloween season, ’50s teen heartthrob Freddy “Boom Boom” Cannon celebrates the legacy of Chicago horror host Svengoolie with a rockin’ theme song backed by LA’s rockabilly surf punk pioneers The Gears.